Month: August 2018

08 Aug 2018

Study flags poor quality working conditions for remote gig workers

An Oxford University study of remote gig economy work conducted on digital platforms has highlighted poor quality working conditions with implications for employees’ well-being.

The research comes at a time when political scrutiny is increasingly falling on algorithmically controlled platforms and their societal impacts. Policymakers are also paying greater attention to the precarious reality for workers on platforms which advertise their gig marketplaces to new recruits with shiny claims of ‘flexibility’ and ‘autonomy’.

Governments in some regions are also actively reassessing employment law to take account of technology-fueled shifts to work and working patterns. Earlier this year, for instance, the UK government announced a package of labor market reforms — and committed to being responsible for quality of work, not just quantity of jobs, for the first time.

The Oxford University study, entitled Good Gig, Bad Big: Autonomy and Algorithmic Control in the Global Gig Economy, looks at remote gig economy work, such as tasks like research, translation and programming carried out via platforms such as Freelancer.com and Fiverr (rather than gig economy platforms such as food delivery platforms, where workers must be in local proximity to the work — albeit, those platforms have their own workforce exploitation critiques).

The researchers note that an estimated 70 million workers worldwide are registered on remote work platforms. Their study methodology involved carrying out face-to-face interviews with just over 100 workers in South East Asia and Sub-Saharan Africa who had been active on one of two unnamed “leading platforms” for at least six months.

They also undertook a remote survey of just over 650 additional gig platform workers, from the same regions, to supplement the interview findings. Participants for the survey portion were recruited via online job ads on the platforms themselves, and had to have completed work through one of the two platforms within the past two months, and to have worked in at least five projects or for five hours in total.

 

Free to get the job done

The study paints a mixed picture, with — on the one hand — gig workers reporting feeling they can remotely access stimulating and challenging work, and experiencing perceived autonomy and discretion over how they get a job done: A large majority (72%) of respondents said they felt able to choose and change the order in which they undertook online tasks, and 74% said they were able to choose or change their methods of work.

At the same time — and here the negatives pile in — workers on the platforms lack collective bargaining so are simultaneously experiencing a hothouse of competitive marketplace and algorithmic management pressure, combined with feelings of social isolation (with most working from home), and the risk of overwork and exhaustion as a result of a lack of regulations and support systems, as well as their own economic needs to get tasks done to earn money.

“Our findings demonstrate evidence that the autonomy of working in the gig economy often comes at the price of long, irregular and anti-social hours, which can lead to sleep deprivation and exhaustion,” said Dr Alex Wood, co-author of the paper, commenting in a statement. “While gig work takes place around the world, employers tend to be from the U.K. and other high-income Western countries, exacerbating the problem for workers in lower-income countries who have to compensate for time differences.

“The competitive nature of online labour platforms leads to high-intensity work, requiring workers to complete as many gigs as possible as quickly as they can and meet the demands of multiple clients no matter how unreasonable.”

The survey results backed the researchers’ interview findings of an oversupply of labour, with 54% of respondents reporting there was not enough work available and just a fifth (20%) disagreeing.

The study also highlights the fearsome power of platforms’ rating and reputation systems as a means of algorithmically controlling remote workers — via the economic threat of loss of future work.

The researchers write:

A far more effective means of control [than non-proximate monitoring mechanisms such as screen monitoring software, which platforms also deployed] was the ‘algorithmic management’ enabled by platform-based rating and reputation systems (Lee et al., 2015; Rosenblat and Stark, 2016). Workers were rated by their clients following the completion of tasks. Workers with the best scores and the most experience tended to receive more work due to clients’ preferences and the platforms’ algorithmic ranking of workers within search results.

This form of control was very effective, as informants stressed the importance of maintaining a high average rating and good accuracy scores. Whereas Uber’s algorithmic management ‘deactivates’ (dismisses) workers with ratings deemed low (Rosenblat and Stark, 2016), online labour platforms, instead, use algorithms to filter work away from those with low ratings, thus making continuing on the platform a less viable means of making a living.

As a result of how platforms are organized, remote gig workers reported that the work could be highly intense, with a majority (54%) of survey respondents saying they had to work at very high speed; 60% working to tight deadlines; and more than a fifth (22%) experiencing pain as a result of their work.

“This is particularly felt by low-skilled workers, who must complete a very high number of gigs in order to make a decent living,” added professor Mark Graham, co-author, in another supporting statement. “As there is an oversupply of low-skill workers and no collective bargaining power, pay remains low. Completing as many jobs as possible is the only way to make a decent living.”

The study also highlights the contradictions inherent in the gig economy’s ‘flexible working’ narrative — with the researchers noting that while algorithms do not formally control where workers work, in reality remote platform workers may have “little real choice but to work from home, and this can lead to a lack of social contact and feelings of social isolation”.

Gig platform workers also run up against the rigid requirements of demanding clients and deadlines in order to get paid for their work — meaning there’s a whip being cracked over them after all. The study found most workers had to work “intense unsocial and irregular hours in order to meet client demand”.

“The autonomy resulting from algorithmic control can lead to overwork, sleep deprivation and exhaustion as a consequence of the weak structural power of workers vis-a-vis clients,” they write. “This weak structural power is an outcome of platform-based rating and ranking systems enabling a form of control which is able to overcome the spatial and temporal barriers that non-proximity places on the effectiveness of direct labour process surveillance and supervision. Online labour platforms thus facilitate clients in connecting with a largely unregulated global oversupply of labour.”

Workers that gained the most in this environment were good at mastering skills independently and navigating platforms’ reputation systems so they could keep winning more work — albeit essentially at other workers’ expense, on account of how the platforms’ algorithms funnel more work towards the best rated (meaning there’s less for the rest).

The study concludes that platform reputations have a ‘symbolic power’ — as “an emerging form of marketplace bargaining power” — and “as a consequence of the algorithmic control inherent to online labour platforms.”

The workers who lacked the individual resources of skills and reputation suffered from low incomes and insecurity.

“Our findings are consistent with remote workers’ experiences across many national contexts,’ added Graham. “Hopefully, this research will shed light on potential pitfalls for remote gig workers and help policymakers understand what working in the online gig economy really looks like. While there are benefits to workers such as autonomy and flexibility, there are also serious areas of concern, especially for lower-skill workers.”

08 Aug 2018

RIP EmuParadise, a haven for retro gamers for almost two decades

If you’re a fan of retro games, chances are you have a few emulators installed to let you play Mega Drive or Atari 800 titles. And if you have a few emulators installed, you probably have some ROMs. And if you have some ROMs, it’s likely that sometime since the year 2000 you visited EmuParadise, a stalwart provider of these ambiguously legal files. Well, EmuParadise is no more — at least the site we knew and loved.

The site explained the bad news in a post today, acknowledging the reality that the world of retro gaming has changed irrevocably and a site like EmuParadise simply can’t continue to exist even semi-legally. So they’re removing all ROM downloads.

For those not familiar with this scene, emulators let you play games from classic consoles that might otherwise be difficult, expensive or even impossible to find in the wild. ROMs, which contain the actual game data (and are often remarkably small — NES games are smaller than the image above), are questionably legal and have existed in a sort of grey area for years. But there’s no question that this software has been invaluable to gamers.

“I started EmuParadise 18 years ago because I never got to play many of these amazing retro games while growing up in India and I wanted other people to be able to experience them,” wrote the site’s founder, MasJ. “Through the years I’ve worked tirelessly with the rest of the EmuParadise team to ensure that everyone could get their fix of retro gaming. We’ve received thousands of emails from people telling us how happy they’ve been to rediscover and even share their childhood with the next generations in their families.”

But the games industry is changing; official re-releases of old games and the consequent legal attention that brings to sites hosting original ROMs has created an unambiguously hostile environment for them. Nintendo, it must be said, has been particularly zealous in its efforts to clear the web of ROMs, especially for its first-party games.

EmuParadise and other sites have been the constant target of legal actions, from simple takedown requests to more serious allegations and lawsuits.

“It’s not worth it for us to risk potentially disastrous consequences. I cannot in good conscience risk the futures of our team members who have contributed to the site through the years,” MasJ continued. “We run EmuParadise for the love of retro games and for you to be able to revisit those good times. Unfortunately, it’s not possible right now to do so in a way that makes everyone happy and keeps us out of trouble.

“This is an extremely emotional decision for me after running this site for so many years. But I believe it is the right thing for us at this point of time.”

Alas, they will be unavailable forever now.

I can remember EmuParadise being one of the most reliable sites to get ROMs from back in the day; and in the early 2000s, when emulators were essentially the only way to play many old games — and the web was a bit more wild — it was also one of the few that didn’t attempt to load some kind of virus onto your computer at the same time.

It’s always sad when a homegrown site that single-mindedly pursues a single goal, and in this case one that is arguably a public service, legal or no, is forced to bow out. It’s sad, but they can at least retire knowing that retro gaming is alive and well and finally being embraced by game distributors and makers the way it ought to have been for the last couple decades. Consoles like the NES Classic are outselling modern ones, and love for old games has not abated.

Not only that, but websites like this, while they provide other services, are no longer necessary for the distribution of ROMs. What was practical in 2002 no longer makes sense, and the advent of both legal game stores on PCs and consoles, and of course torrents, mean that even rare games like Radiant Silvergun are just a click or button press away.

And lastly, EmuParadise isn’t just plain dying. They plan to maintain and update their emulator database and keep the community going, and MasJ says there are plans to launch some new things as well. So, out with the old, in with the new.

Thanks to EmuParadise and those running it for all their hard work, and best of luck in the future!

08 Aug 2018

Don’t miss the interactive workshops at Disrupt SF 2018

Techcrunch’s super-sized Disrupt San Francisco 2018 — the only Disrupt event in North America this year — takes place September 5-7. We’re not kidding when we say brace yourself for three unprecedented, program-packed days. In addition to Startup Battlefield — with a special $100,000 prize — the Virtual HackathonStartup Alley and a battalion of headlining speakers, we’ve recruited leading tech and investment movers and shakers to share their wisdom in the form of interactive workshops.

You won’t want to miss out, so be sure to save time in what will no doubt be a very busy and rewarding Disrupt schedule. Here’s just a taste of our workshop offerings from organizations like NASA, All Raise, Red Bull, SONM, TomTom, Constellation Labs and more:

  • Bleeding-Edge IT Trends Explained: Igor Lebedev, industry expert and CTO of SONM, explains what’s behind the concepts of blockchain, distributing computing and other hot IT trends.
  • Beyond the ICO — New approaches to fundraising and VC’s role in crypto: After emerging from an extraordinary period of fundraising and subsequent growth, Constellation Lab’s COO Ben Jorgensen and his team will share their experiences in an interactive session that explores the complex and ever-changing fundraising models available and how venture capital approaches cryptocurrency.
  • Hacking Human Performance: Join Dr. David Putrino, Red Bull’s High-Performance Center consultant and Mt. Sinai director of rehabilitation innovation, as he explores the use of evidence-based technologies to maximize high performance and human potential.
  • All Raise Roundtables & AMA: Join All Raise and women founders in interactive discussions on major challenges that female founders face — such as fundraising, recruiting strategies, company culture, sales and marketing strategies, board/investor management, M&A and more. Afterward, at the AMA, participants will have a chance to ask the top women in venture questions about whatever is top of mind. Open to all women founders.
  • The Nuts and Bolts of Location-Aware Applications: Gregory De Jans, head of Developer Relations at TomTom, offers a deep dive into the use of TomTom Maps APIs for developers looking to leverage the power of location insights. Learn about APIs for map display, search, routing, traffic and map SDKs.
  • Bringing NASA Technology Down to Earth: Whether you want to start a company, improve your existing products or develop new ones, NASA may be the source of your technology solutions. Join Dan Lockney, the agency’s technology transfer program executive, as he explains how NASA works with companies to develop new products and services.
  • More Just Music: Bose has been innovating in audio for 50 years, from creating tiny speakers with room-filling sound to noise-canceling headphones. Come hear about the latest innovations in audio and their new venture fund from members of the Bose team.
  • The Current State of Location Services: What progress has been made in the pursuit of an autonomous world? How have recent changes to provider price plans impacted the industry? Why is this the optimal time for developers to embrace location services? Discover why the question of ‘where’ is more relevant than ever before. HERE Technologies chats geocoding, routing, and positioning to build location-aware features.

Disrupt San Francisco 2018 takes place September 5-7. Whether you want to learn, network, compete, exhibit or launch your startup to the world, Disrupt SF 2018 is where it all happens. Still need tickets? Buy your passes right here. We can’t wait to see you there!

08 Aug 2018

Here are the platforms that have banned Infowars so far

Over the past two-and-a-half weeks, tech platforms have taken a (if sometimes meek) stance against the far-right and conspiracy theorist content of Alex Jones by removing, banning or penalizing Jones and his podcast Infowars for breaking their community and hate speech policies.

These removals signify an important moment in the history of the internet’s tug-of-war with free speech. Can a platform keep all its users safe without enforcing communities standards? Can a platform keep all its users ‘free’ if it does?

The conversation has really accelerated in the past few weeks, trickling down from big players like Apple to smaller platforms like Pinterest, so we’ve compiled a list to help keep track of the developments.

YouTube

The video platform started the conversation in late February and early March of this year when it removed a video from the channel (in which Jones referred to a victim of the Marjory Stoneman Douglas school shooting as a ‘crisis actor’) and subsequently demonetized Jones’ channel by removing ads. These two original moves came on the heels of outcry surrounding Logan Paul’s videos of the suicide forest and YouTube’s lax content moderating.

While those strikes against Jones didn’t appear to entice any other platforms into the fray, YouTube’s most recent action against him at the end of July has. On July 25th the platform removed four of Jones’ videos for infringement on its hate speech and child endangerment policies. The videos contained Islamophobic and transphobic sentiments as well as the depiction of a child being shoved to the ground by an adult to demonstrate “how to prevent liberalism.”

Facebook

While the social network had previously chosen to not remove inflammatory content aimed at Special Counsel Robert Mueller from Jones’ verified page, the company did chose to take action following YouTube’s removal of Jones’ videos. On July 27 the social network removed four videos for violating its community polices against encouraging physical harm or attacks based on someone’s religious affiliation or gender identity. The action resulted in a 30-day ban from posting videos on his personal Facebook and a warning for the Infowars page that Jones moderates.

Spotify

Just over a week later, the video streaming service removed several of Jones’ Infowars podcast episodes from its platform on August 1, stating that the episodes violated the company’s hate content policy (which it revamped this May.) Similar to Facebook’s policy, Spotify’s states “content whose principal purpose is to incite hatred or violence against people because of their race, religion, disability, gender identity, or sexual orientation” is considered in violation, but not content that is offensive without intent to incite harm.

Stitcher

Taking Spotify’s cue, the podcast app quickly followed with its own stance on August 2 and became one of the first platforms to fully remove the Infowars podcast (as well as Jones’ five other podcasts) from its platform instead of targeting certain episodes. In a tweet confirming the action, Stitcher said:

We have reviewed Alex Jones’ podcasts and found he has, on multiple occasions, harassed or allowed harassment of private individuals and organizations, and that harassment has led listeners of the show to engage in similar harassment and other damaging activity. Therefore, we have decided to remove his podcasts from the Stitcher platform.

Apple

After a brief weekend lull, Apple started the week with a bang by removing all but one of Jones’ six podcasts from iTunes for violating its policies concerning hate speech, telling TechCrunch in a statement:

Apple does not tolerate hate speech, and we have clear guidelines that creators and developers must follow to ensure we provide a safe environment for all of our users. Podcasts that violate these guidelines are removed from our directory making them no longer searchable or available for download or streaming. We believe in representing a wide range of views, so long as people are respectful to those with differing opinions

Facebook 2.0

Following the initial ban and strike served against Jones on July 27, Facebook chimed back in on August 6, as well to announce the removal of four related Facebook pages: the Alex Jones Channel Page; the Alex Jones Page; the Infowars Page; and the InfoWars Nightly News Page. In a statement on its site explaining the new actions, Facebook said:

Since [the original ban], more content from the same Pages has been reported to us — upon review, we have taken it down for glorifying violence, which violates our graphic violence policy, and using dehumanizing language to describe people who are transgender, Muslims and immigrants, which violates our hate speech policies.

All four Pages have been unpublished for repeated violations of Community Standards and accumulating too many strikes. While much of the discussion around Infowars has been related to false news, which is a serious issue that we are working to address by demoting links marked wrong by fact checkers and suggesting additional content, none of the violations that spurred today’s removals were related to this.

And then it all began to truly unravel.

 

Pinterest 

Also on August 6, Pinterest took down the Infowars page on its platform, saying in a statement:

Consistent with our existing policies, we take action against accounts that repeatedly save content that could lead to harm. People come to Pinterest to discover ideas for their lives, and we continue to enforce our principles to maintain a safe, useful and inspiring experience for our users.

YouPorn

Still on the 6, the porn streaming service YouPorn announced the removal of Jones from its platform, with vice president Charlie Hughes stating:

Following news that YouTube, Spotify and Facebook have banned Alex Jones from their platforms, team YouPorn is joining in solidarity and announces we are banning his content as well. As one of the largest user-generated content platforms in the world, we have already removed his videos that have violated our terms of service. As an inclusive platform, hate has no place on YouPorn.

LinkedIn

On August 7 the professional networking site announced the removal of Jones from its platform, similarly stating:

We have removed the InfoWars company page for violating our terms of service. We value the professional community on LinkedIn and strive to create a platform where the exchange of ideas by professionals can happen without harmful misinformation, bullying, harassment or hate.

We encourage our members to report any inappropriate content or behavior. We investigate and if it is in violation take action, which could include removing the content or suspending the account

 

MailChimp

And lastly (but likely not for long) the mail messaging platform MailChimp announced on the 7 its removal of Jones from its platform, stating:

We don’t allow people to use our platform to disseminate hateful content… We take our responsibility to our customers and employees seriously. The decision to terminate this account was thoughtfully considered and is in line with our company’s values

So who’s left? Three notables standing apart from the pack are Snapchat, Instagram and Twitter, the latter of which has made statements recently defending its choice to keep Jones on the platform based on his tweets alone and not their context. As this situation continues to boil, time will tell where these platforms will eventually land.

08 Aug 2018

Spark Neuro raises $13.5M to measure your emotional response to ads and movies

I’m not immune to compliments, and Spencer Gerrol, founder and CEO of Spark Neuro, offered a real winner as he demonstrated his technology.

“I love your brain,” he told me. This was after the startup’s vice president of research Ryan McGarry had strapped sensors to my fingers and head, then showed me an intense movie clip, with my attention level and emotional response displayed on a screen for all to see.

That, in miniature, is what Spark Neuro does: It helps companies study the audience response to things like ads, movies and trailers.

The goal is to replace things like focus groups and surveys, which Gerrol said are subject to a variety of biases, including group pressure and the desire to give the answer that you think the researcher wants to hear.

For example, he showed me a Mr. Clean ad that had performed poorly among men in focus groups. Spark Neuro, in contrast, found that it actually had “beautiful performance” among both men and women, and it ended up being one of the best-received ads at last year’s Super Bowl. (Apparently the guys just didn’t want to admit that they enjoyed watching a seductive cartoon man.)

Spencer Gerrol

We’ve also written about startups that try to measure ad effectiveness using technology like eye tracking and studying facial expressions. Gerrol said those are valuable data points, and indeed, they’re part of Spark Neuro’s research. But they have their limitations, which is why the company also looks at brain and electrodermal activity.

Gerrol highlighted the EEG data (i.e. data about the electrical activity in your brain) as offering “such richness and such depth.” The challenge is that “the data is incredibly noisy.” So Spark Neuro has developed tools to automatically remove the noise and make the data easy to understand.

At the same time, it’s not just relying on technology — Gerrol said his researchers also do one-on-one interviews with participants afterwards to get a better understanding of their responses.

“The most important thing, by 100 fold, is the intellectual property around the algorithms,” he added. “The algorithms take a mess of data that’s meaningless to the human eye and turn it into something you can just understand as a marketing executive.”

My own readings looked daunting at first, but they quickly became comprehensible as Gerrol walked me through them, showing me where my attention and emotions spiked.

Spark Neuro is already working with a long list of clients that includes Anheuser-Busch, General Motors, Hulu, JetBlue, Paramount and Walmart. It’s also announcing that it’s raised a $13.5 million Series A led by Thiel Capital, with participation from Will Smith (yes, that Will Smith) and former Disney CEO Michael Eisner.

Eventually, Gerrol suggested the technology could be applied in other ways, like measuring student attention in the classroom.

“There’s a million applications,” he said. “We’re very focused on being a dominating force in a discrete industry, but it’s also important to our future to set ourselves up for further applications.”

08 Aug 2018

Outgoing Facebook CSO Alex Stamos will join Disrupt SF to talk cybersecurity

At Disrupt SF 2018, Facebook’s soon-to-be-former chief security officer Alex Stamos will join us to chat about his tenure in the top security role for the world’s biggest social network, how it feels to have weathered some of the biggest security and privacy scandals to ever hit the tech industry and securing U.S. elections in the 2018 midterms and beyond.

Following his last day at Facebook on August 17, Stamos will transition to an academic role at Stanford, starting this September. Since March, Stamos has focused on election security at Facebook as the company tries to rid its massive platform of Russian interference and bolster it against disinformation campaigns aiming to disrupt U.S. politics.

“It is critical that we as an industry live up to our collective responsibility to consider the impact of what we build, and I look forward to continued collaboration and partnership with the security and safety teams at Facebook,” Stamos said of the company he is leaving.

At Stanford, Stamos will take on a full-time role as an adjunct professor with the university’s Freeman Spogli Institute for International Studies and plans to conduct research, as well. Stamos previously lectured a security class at Stanford and intends to expand on that foundation with a hands-on “hack lab” where students explore real-world hacking techniques and how to defend against them. With the class, open to non-computer science majors, Stamos seeks to expose a broader swath of students to the intricacies of cybersecurity.

Prior to his time at Facebook, Stamos served as the chief information security officer at Yahoo . Stamos left in 2015 for his new security role at Facebook, reportedly over clashes at the beleaguered company over cybersecurity resources and the implementation of measures like end-to-end encryption. In both roles, Stamos navigated the choppy waters of high-profile privacy scandals while trying to chart a more secure path forward.

The full agenda is here. You can purchase tickets here.

08 Aug 2018

Dropbox hires a new VP of product and VP of product marketing

After a largely successful IPO, Dropbox is adding another couple of hires today as it looks to continue its consumer-slash-enterprise growth playbook: bringing on a new VP of product in former CEO and president of Wealthfront Adam Nash; and a new VP of product marketing and global campaigns in Naman Khan.

Both have extensive experience from products that span multiple different verticals, with Nash previously working at LinkedIn and eBay and Khan spending time with Microsoft Office and Autodesk. The company went public earlier this year to a pretty successful IPO, though the stock hasn’t seen any dramatic fireworks, and has accumulated more than 500 million registered users in its decade-plus life. But it’s also gone through a kind of transition as it starts expanding into more enterprise-focused collaboration tools as it looks to woo businesses, which represent a substantial opportunity for growth for the company that started off as a dead-simple file-sharing service.

Previously an entrepreneur-in-residence for Greylock, Nash is now going to oversee a wide range of products that span consumer-focused file storage and sharing services all the way up to its Google Docs competitor Paper — each of which has a kind of consumer-born aesthetic that’s targeting use cases within enterprises, whether that’s building tools to get documents into its service or to actually helping teams spec out products within a kind of continuous document like Paper. But as it focuses on simplicity, Dropbox has to take care not to end up feature-creeping its way out of what made it successful initially, so the final product decisions may be a bit different. Naman will also inherit that challenge of marketing a consumer-oriented product that’s targeting businesses.

As Dropbox looks to continue to mature as a public company, it has to ensure that it still brings on talent that understands where it’s going now as it tries to wrangle larger enterprise customers that have a complex set of needs beyond just the typical consumer. Going public certainly helps with that credibility a little bit, but it’s hires like these that will determine what kinds of products actually make it out the door and the messaging that goes with them — and whether larger enterprises will actually adopt them.

08 Aug 2018

Jeffrey Katzenberg’s mobile video startup NewTV closes on $1 billion

Jeffrey Katzenberg’s new mobile video startup NewTV, now headed by CEO Meg Whitman, has closed on a billion in new funding in round led by Meg Whitman and Jeffrey Katzenberg, the company has confirmed. WndrCo, Katzenberg’s tech and media holding company, officially announced the round’s close on Tuesday, following last month’s report from CNN which had first leaked the news of the billion-dollar investment.

CNN’s report had attributed the funding to investors like Disney, 21st Century Fox, Warner Bros, Entertainment One and other media companies, noting they had put in a combined $200 million.

The company has now confirmed the investor lineup includes Hollywood studios 21st Century Fox, Disney, Entertainment One, ITV, Lionsgate, Metro Goldwyn Mayer, NBCUniversal, Sony Pictures Entertainment, Viacom, and Warner Media. On the technology side, it say Alibaba is invested.

In addition, the round was led by strategic partners The Goldman Sachs Group, Inc., JPMorgan Chase & Co., Liberty Global, and VC firm Madrone Capital.

“More so than ever, people want easy access to the highest quality entertainment that fits perfectly into their busy, on-the-go lifestyles,” said Meg Whitman, CEO of NewTV, in a statement. “With NewTV, we’ll give consumers a user-friendly platform, built for mobile, that delivers the best stories, created by the world’s top talent, allowing users to make the most of every moment of their day.”

NewTV had not shared much detail about its ambitions ahead of this fundraise, beyond its bigger goal of reinventing TV for the mobile era. Specifically, it’s interested in taking the sort of quality programming you’d find on a service like Netflix, broken up into smaller, bite-sized videos of 10 minutes or less – designed specifically for mobile viewing.

In an interview with Variety, the company has now disclosed that NewTV will launch later in 2019 with a premium lineup of original, short-form series where each episode is 10 minutes long. The service will include both an ad-supported tier and an commercial-free plan, similar to Hulu.

Its original content will include both scripted and unscripted shows, like sitcoms, dramas, reality shows, and documentaries, but not live TV like you’d find on Sling TV or YouTube TV, for example. NewTV will partner with producers to license their programming, but it won’t own or produce shows itself.

Katzenberg also positioned NewTV – which the company says is only the “working title” for now – as something that’s not a direct competitor with Netflix, Hulu, or HBO, but is rather “a different use case.”

As he told Variety, the difference isn’t just the length of the content, but that the NewTV platform itself will be built from scratch for the mobile viewing experience.

In terms of distribution, NewTV will look to telco partnerships.

This could be attractive to some players, who are concerned by the implications of the AT&T / Time Warner merger – after all, AT&T is already leveraging its new asset to run not one, but two streaming TV services. Meanwhile, Verizon, TC’s parent company by way of Oath, could also be looking for a better entry into the market following the closure of its own new-fangled mobile video service, go90, whose failure cost it $658 million.

That being said, NewTV – however clever the format or the app it runs in – will still have to compete for viewers’ time – and a lot of that time today is spent watching streaming services’ programming, even if NewTV doesn’t think of them as rivals. In addition, younger people also stream YouTube videos, which are often short-form, original programs, too. And while they may not be of “HBO quality,” that doesn’t seem to matter to the audience.

WndrCo has raised $750 million prior to this round, much of which had also been invested in NewTV. The company has additionally backed other tech and media startups, including  MixcloudAxiosNodeFlowspace, Whistle Sports, and TYT Network.

 

 

08 Aug 2018

Soundcloud on the blockchain? Audius raises $5.5M to decentralize music

Audius wants to cut the middlemen out music streaming so artists get paid their fair share. Coming out of stealth today led by serial entrepreneur and DJ Ranidu Lankage, Audius is building a blockchain-based alternative to Spotify or SoundCloud. Users will pay for Audius tokens or earn them by listening to ads. Their wallet will then pay out a fraction of a cent per song to stream from decentralized storage across the network, with artists receiving roughly 85 percent — compared to roughly 70 percent on the leading streaming apps. The rest goes to compensating whoever is hosting that song, as well as developers of listening software clients, one of which will be built by Audius.

Audius plans to launch its open sourced product in beta later this year. But it’s already found some powerful investors who see SoundCloud as vulnerable to the cryptocurrency revolution. Audius has raised a $5.5 million Series A led by General Catalyst and Lightspeed, with participation from Kleiner Perkins, Pantera Capital, 122West and Ascolta Ventures. They’re betting that Audius’ token will grow in value, making the stockpile it keeps worth a fortune. It could then chunks of its tokens to earn revenue instead of charging artists directly.

“The biggest problem in the music industry is that streaming taking off and arists aren’t necessarily earning a lot of money. And it can take 3 months, or up to 18 months for unsigned artists, to get paid for streams” says Lankage. “That’s what crypto really solves. You can pay artists in near real time and make it fully transparent.”

The big question will be whether Audius can use the token economy to crack the chicken-and-egg problem of getting its first creators and listeners on a platform that might be less functionally robust than its traditional competitors. There are a lot of moving parts to decentralize, but there’s also plenty of disgruntled musicians out there waiting for something better.

08 Aug 2018

Nonprofits and NGOs — apply to exhibit at TechCrunch Disrupt San Francisco

TechCrunch invites NGO’s and nonprofit organizations to exhibit at TechCrunch Disrupt San Francisco on September 7th. Organizations can apply here.

Founded in 2014, the TechCrunch Include Program aims to facilitate opportunities in tech for underserved and underrepresented communities. The TC Nonprofit Program is one initiative of this program.

Through an application, TechCrunch will select 10 nonprofit and/or NGOs to showcase on the Startup Alley show floor at TechCrunch Disrupt San Francisco. This year’s Disrupt SF will be three times as large, giving these organizations three times as much exposure and access to investors, press and international startups.

Nonprofits and NGOs must be a registered 501c3 (or similar status for at least two years) and serve an underrepresented or underserved community in tech. Preference is given to local organizations. Apply here. Organizations will exhibit in Startup Alley on September 7th and receive two full conference passes, one exhibit space, inclusion in the printed program and online program guide, Wi-Fi and a branded tabletop sign.

Applications are open from now till August 13th. Groups will be notified of their participation status on August 15th and be expected to register within 24 hours. If you have additional questions, please email neesha@techcrunch.com