Month: October 2018

09 Oct 2018

Pitch, from the founders of Wunderlist, raises $19M to take on Powerpoint in presentations

Microsoft’s Powerpoint today has over 1 billion installs, 500 million users, and some 95 percent market share, making it the most ubiquitous presentation software in the world. But that doesn’t make it the most loved. Now, a new startup out of Berlin called Pitch is emerging from stealth with plans to challenge it, by making what CEO and co-founder Christian Reber describes as “a presentation tool for the Slack generation.” And to do so, the company is announcing $19 million in Series A funding, ahead of a projected launch date by Summer 2019 (Reber is talking, but without any previews of the actual product).

The Slack reference is intentional, not just because of how the product will be built (more on that below). Part of the funding is coming from the Slack Fund, the arm of the work-chat unicorn that makes strategic investments into like-minded startups. Others in the round include Index Ventures and BlueYard as leads, along with Zoom CEO Eric Yuan, Framer CEO Koen Bok, Elastic Co-Founder Simon Willnauer, Datadog CEO Olivier Pomel, Wunderlist-backer Frank Thelen, and Metalab Founder Andrew Wilkinson. Blue Yard led Pitch’s seed funding as well: the company has raised $22 million to date.

“Pitch is one of Europe’s few true product-centric companies breaking new ground in software for businesses,” said Neil Rimer, partner at Index Ventures, in a statement. “From messaging to file sharing, software companies like Slack and Dropbox have transformed how teams work together and unlocked greater productivity as a result. We believe Pitch has the potential to redefine the presentation space and become a central hub for content collaboration, knowledge-sharing, and ultimately a platform for better decision-making.” Rimer’s also joining the board.

If $22 million sounds like a lot of money for a product that hasn’t launched, in a field that already has a very dominant player, Pitch is not your average contender. it’s being built by the same founders who created Wunderlist, a popular to-do app that — coincidentally — Microsoft acquired to supercharge its existing list-making and to-do software. You could say that Pitch knows just what it is pitching, when it goes after a problem that already appears to be “solved.”

In an interview, Reber said that he and the team — which includes founders Vanessa Stock; Marvin Labod; Adam Renklint; Charlette Prevot; Jan Martin; Eric Labod; and Misha Karpenko and 12 others — have been at work on the app for about nine months already and that it is in some private betas with a few businesses.

As for the app itself, Reber would not show it off to me, but he did provide some detail about what it’s setting out to do.

The premise behind Pitch is to make “a presentation tool for the Slack generation,” he said, in reference to the workplace communications tool that became a runaway hit with organizations because of its ease of use, its speed, and the fact that it positions itself as a platform, integrating with just about any app that a person might use in the normal course of a working day, turning itself into a communication layer underpinning all those apps, too.

The same will go for Pitch. “Pitch integrates with everything you already use,” Reber said, describing Pitch presentations as “living documents” that will essentially update with information as data in other documents gets modified.

There will also be a social element, a la SlideShare (a cloud-based presentation app that was acquired by LinkedIn many years ago but has seen few updates since, and of course now is part of Microsoft too, like PowerPoint). In the case of Pitch, users will be able to create documents for their own ends, but they can also use Pitch as a distribution platform, either to a selected group of users (for example, if you are pitching your startup to investors), or to a wider audience who are also Pitch users.

It’s ironic that Reber, who joined Microsoft along with the rest of the Wunderlist team when the startup was acquired, left the mothership rather than potentially trying to either build another presentation tool within Microsoft, or moving to PowerPoint to work on updating that product. The reasons, I suspect, are the same ones that keep large tech giants from being able to move quickly on ideas, and to often live with bad ones for too long: they are too big and too entrenched, and the halls are rife with politics.

Reber — who jokes that he seems to have a knack at trying to build things “that others have already built” — said that another reason is that he also has a little regret for selling Wunderlist when they did. “I didn’t feel like I’d accomplished my goal,” he said reflecting on the sale. (For the reasons why he sold anyway, you might speak to a lot of other founders who have exited, and I’d guess that the multiple reasons are often the same.) “So, a year after the exit I thought I would like a chance to start from scratch and be more strategic in how I built my startup.”

The choice to tackle presentations came, as many startup ideas often do, out of his own frustrations — and possibly yours, too, if you have been PowerPointed at some moment in your life.

The most popular presentation tools that exist today are just outdated, he said, with different versions out in the wild, across different platforms, making for a challenge in sharing presentations with others. Reber describes the Pitch-nee-Wunderlist team as “design driven,” you can imagine how that kind of lack of aesthetic consistency might grate.

He noted that Pitch is built on Electron — the application framework that’s used for WhatsApp, WordPress and many other apps — to smooth out some of those bumps across platforms.

Pitch is most certainly going into business with its eyes open, knowing that even if you put Microsoft’s PowerPoint and SlideShare to the side, there are yet others, such as Keynote from Apple, the web-based Prezi, and Slides from Google. But there are plenty of precedents that nevertheless indicate opportunity.

“It’s really fascinating for me why new products win,” Reber said. “Just look at the business communications space. The market was saturated, and Hipchat dominated the startup world, but then all of the sudden Slack came and everything change. It just took over. There will be a similar shift, I think.”

Besides, he added, having multiple competitors is a good thing. “It just means that the best product will come out the winner.” Let’s hope so.

09 Oct 2018

Instagram now uses machine learning to detect bullying within photos

Instagram and its users do benefit from the app’s ownership by Facebook, which invests tons in new artificial intelligence technologies. Now that AI could help keep Instagram more tolerable for humans. Today Instagram announced a new set of antii-cyberbullying features. Most importantly, it can now use machine learning to optically scan photos posted to the app to detect bullying and send the post to Instagram’s community moderators for review. That means harassers won’t be able to just scrawl out threatening or defamatory notes and then post a photo of them to bypass Instagram’s text filters for bullying.

In his first blog post directly addressing Instagram users, the division’s newly appointed leader Adam Mosseri writes “There is no place for bullying on Instagram . . . As the new Head of Instagram, I’m proud to build on our commitment to making Instagram a kind and safe community for everyone.” The filter for photos and captions rolls out over the next few weeks.

Instagram launched text filtering for bullying in May, but that could have just pushed trolls to attack people through images. Now, its bullying classifier can identify harassment in photos including insults to a person’s character, appearance, well-being, or health. Instagram confirms the image filter will work in feed and Stories. “Although this update only focuses on photos, we will be working to add protections for video, including IGTV, very soon” a spokesperson tells me.

Instagram users will see the “Hide Offensive Comments” setting defaulted on in their settings. They can also opt to manually list out words they want to filter out of their comments, and can choose to auto-filter the most commonly reported words. With text, it’s black and white so Instagram can just block keywords. With images, it won’t let the AI play executioner, and instead uses the filter to direct posts to human moderators who make the final call.

Meanwhile, Instagram is expanding its proactive filter for bullying in comment from the feed, Explore, and profile to also protect Live broadcasts. It’s launching a “Kindness” camera effect in partnership with Maddie Ziegler, best known as the child dancer version of Sia from her music video “Chandelier”. The effect showers your image with hearts and positive comments in different languages while prompting you to tag a friend you care about. It’ll be visible to in users’ camera effects tray if they follow Ziegler, or if they see a friend use it, they can try it themselves.

For Instagram to remain the favorite app of teens, it can’t let this vulnerable community be victimized. There’s been a lot of talk about Facebook interfering with Instagram after the photo app’s co-founders resigned. But the parent company’s massive engineering organization affords Instagram economies of scale that unlock tech like this bullying filter that an independent startup might not be able to develop.

09 Oct 2018

SoundCloud finally lets more musicians monetize four years later

SoundCloud moves painfully slow for a tech company, and no one feels that pain more than musicians who are popular on the site but don’t get paid. 10 years since SoundCloud first launched, and four years since it opened an invite-only program allowing just the very biggest artists to earn a cut of the ad and premium subscription revenue generated by their listeners, SoundCloud is rolling out monetization.

Now, musicians 18 and up who pay SoundCloud $8 to $16 per month for hosting, get over 5000 streams per month, and only publish original music with no copyright strikes against them can join the SoundCloud Premier program. They’ll get paid a revenue share directly each month that SoundCloud claims “meets or beats any other streaming service”. However, the company failed to respond to TechCrunch’s inquiries about how much artists would earn per 1000 ad-supported or premium subscription listener streams, or how many streams would earn them a dollar.

Beyond payouts, Premier members can post new tracks instantly without having to wait to be discoverable or monetizable, they’ll get real-time feedback from fans, and extra discovery opportunities from SoundCloud. The company hopes monetization will lure more creators to join the 20 million on the platform, get them to promote their presence to drive listens, and imbue the site with exclusive artist-uploaded content that attracts listeners.

It’s been a year since SoundCloud raised an $170 million emergency funding round to save itself from going under after it was forced to lay off 40 percent of its staff. That deal arranged by Kerry Trainor saw him become CEO and the previous co-founder and CEO Alex Ljung step aside. With underground rap that had percolated on SoundCloud for years suddenly reaching the mainstream, the startup seemed to have momentum.

The problem is the slow speed of progress at SoundCloud has allowed competitors with monetization baked in to catch up to its formerly unique offering. YouTube Music’s launch in June 2018 combined premium major label catalogues with user uploaded tracks in a cohesive streaming service. And last month, Spotify began allowing indie artists to upload their music directly to the platform. Meanwhile, licensing distribution services like Dubset are making it legal for big streaming apps to host remixes and DJ sets. Together, these make more of the rarities, live versions, and hour-long club gigs that used to only be on SoundCloud available elsewhere.

The delays seem in part related to the fact that SoundCloud wants to be Spotify as well as SoundCloud. It’s refused to back down from its late entry into the premium streaming market with its $9.99 per month SoundCloud Go+ subscription. As I previously recommended, “to fix SoundCloud, it must become the anti-Spotify” by ruthlessly focusing on its differentiated offering in artist-uploaded music. Instead, another year has passed with only a light revamping of SoundCloud’s homescreen and some more personalized playlists to show for it.

SoundCloud proudly announced it had reached $100 million in revenue in 2017, and exceeded its financial and user growth targets. But filings reveal it lost over $90 million in 2016 and it was previously projected to not become profitable until 2020. That begs the question of whether SoundCloud will have to raise again, or might once again open itself to acquisitions. With Apple, Google, Amazon, and Spotify all in fierce competition for the future of streaming, any of them might be willing to pay up for music that fans can’t easily find elsewhere.

09 Oct 2018

Upskill launches support for Microsoft HoloLens

Upskill has been working on a platform to support augmented and mixed reality for almost as long as most people have been aware of the concept. It began developing an agnostic AR/MR platform way back in 2010. Google Glass didn’t even appear until two years later. Today, the company announced the early release of Skylight for Microsoft HoloLens.

Upskill has been developing Skylight as an operating platform to work across all devices, regardless of the manufacturer, but company co-founder and CEO Brian Ballard sees something special with HoloLens. “What HoloLens does for certain types of experiences, is it actually opens up a lot more real estate to display information in a way that users can take advantage of,” Ballard explained.

He believes the Microsoft device fits well within the broader approach his company has been taking over the last several years to support the range of hardware on the market while developing solutions for hands-free and connected workforce concepts.

“This is about extending Skylight into the spatial computing environment making sure that the workflows, the collaboration, the connectivity is seamless across all of these different devices,” he told TechCrunch.

Microsoft itself just announced some new HoloLens use cases for its Dynamics 365 platform around remote assistance and 3D layout, use cases which play to the HoloLens strengths, but Ballard says his company is a partner with Microsoft, offering an enhanced, full-stack solution on top of what Microsoft is giving customers out of the box.

That is certainly something Microsoft’s Terry Farrell, director of product marketing for mixed reality at Microsoft recognizes and acknowledges. “As adoption of Microsoft HoloLens continues to rapidly increase in industrial settings, Skylight offers a software platform that is flexible and can scale to meet any number of applications well suited for mixed reality experiences,” he said in a statement.

That involves features like spatial content placement, which allows employees to work with digital content in HoloLens, while keeping their hands free to work in the real world. They enhance this with the ability to see multiple reference materials across multiple windows at the same time, something we are used to doing with a desktop computer, but not with a device on our faces like HoloLens. Finally, workers can use hand gestures and simple gazes to navigate in virtual space, directing applications or moving windows, as we are used to doing with keyboard or mouse.

Upskill also builds on the Windows 10 capabilities in HoloLens with its broad experience securely connecting to back-end systems to pull the information into the mixed reality setting wherever it lives in the enterprise.

The company is based outside of Washington, D.C. in Herndon, Virginia. It has raised over $45 million, according to Crunchbase. Ballard says the company currently has 70 employees. Customers using Skylight include Boeing, GE, Coca-Cola, Telestra and Accenture.

09 Oct 2018

The Guild launches tech-driven hotel experience

Falling somewhere between a boutique hotel experience and an Airbnb, The Guild is launching today with $9 million in funding led by Maveron with participation from Convivialite Ventures and Corigin Ventures to provide travelers with tech-driven hospitality. The startup is also officially expanding into Miami, Cincinnati and Denver. Based in Austin, The Guild has a handful of properties in Austin and Dallas.

The Guild works by partnering with building owners to operate hotel accommodations in commercially-zoned or mixed-use buildings. The Guild’s room offerings range from a mix of traditional hotel rooms to more apartment-style accommodations (think studio, 1 BR and 2 BR apartments).

Right now, The Guild leases the 290 units across its five markets, but the company is open to revenue-share and other types of financing structures down the road.  Before launching in a market, The Guild looks at the area’s walkability and the prevalence of businesses and conferences. In general, it’s paying attention to the potential for marketability. By the end of next year, The Guild expects to operate in 1,000 units across up to 10 markets.

The Guild aims to differentiate itself from traditional hotels with its technology. Guests, for example, can quickly get food delivered from services like UberEats and DoorDash, rather than pay highway robbery for room service.

The Guild also offers digital check-in and keyless entry. But the idea isn’t to replace humans with technology. While The Guild uses technology as a means of communication, there is still a front desk person on hand to help around the clock.

“We use tech as a way to connect people,” The Guild co-founder Brian Carrico told TechCrunch. “We’ve found people like human interaction and connection. Humans are fed a lot of information about why guests are there and then use that information to surprise and delight guests.”

On average, The Guild exchanges 40 text messages with every guest.

“It’s cool to see how tech can connect people and not be a substitute for people,” Carrico said.

The Guild functions as both the brand and the operator, which Carrico says makes it possible to run a viable business while ensuring workers are taken care of. For example, every single employee — which covers the front desk, reservations and maintenance, gets health insurance and equity in the company. While The Guild does not employ housekeeping workers, Carrico says the vendor it works with pays above market rate.

09 Oct 2018

Matt Lerner reduces role at 500 Startups to launch ‘growth coaching’ company Heretix

Matt Lerner, who has for the last few years effectively been 500 Startups’ main person in London, is reducing his role at the Silicon Valley-based VC fund and accelerator to pursue a new business of his own. He’s officially scaling back to a part-time position of Venture Partner to launch “growth coaching” company Heretix.

The idea, he tells me, is to build on his work running the 500 Startups London “Distro Dojo” growth marketing program, but in a way that opens it up to more startups in the U.K. and across Europe that are in need of building a self-sufficient growth strategy. That’s because any company is free to approach Heretix, which is initially acting as a simple gun for hire (although you still need to apply) and, unlike Distro Dojo, isn’t a program tied to an equity investment.

“We’re not an agency, and we’re not a bootcamp,” says Lerner, who will continue to head up 500 Startups’ London office and support its U.K. portfolio. “Heretix is focused on providing growth coaching for startup founders and teams. Our first goal is to help them double, triple or 10x their growth. Our second goal is to make them self-sufficient.”.

To provide further context, Lerner says to think back to 2015 when he left PayPal to join 500 Startups in London, a city that wasn’t short of accelerators but was facing a “Series A Crunch”. “The capital was there, and so were the seed-stage startups. So what was the problem?” he says. The answer: VCs could not find enough investable companies with Series A traction.

“Through my work at 500, I saw a ton of seed-stage companies who were able to hustle themselves to mid-five-figure MRR.. But they would flatten out, their hustle would not scale. They could not find the multiple repeatable channels they needed to break through the £100,000 monthly revenue barrier”.

In an attempt to solve this problem, 500 Startups decided to launch a growth marketing investment program, and based on his experience building B2B growth teams for PayPal, tapped up Lerner to run it. The resulting “Distro Dojo” was a program with a mandate to help post-seed companies scale growth on top of existing traction.

“I set up the Dojo and was lucky enough to get some very talented entrepreneurs and marketers to join me. And, it really made a difference,” says Lerner. “We worked with 35 companies, and earned a ‘Net Promoter’ score of 96 percent from our founders. And their companies saw an average growth of 250 percent year-on-year with many companies growing revenue 3x, 5x, even 20x. And many of them have raised at higher valuations, including AirSorted, ZenJob, Tamatem, Popsa, Settled and OurPath”.

To that end, in combination with other members of the original Dojo team, Heretix sees its official unveiling today, with a mission to help companies grow without being tied to outside agencies or consultants. That’s because Lerner believes that you can’t ultimately outsource growth, it has to be an “internal muscle” you develop as a founder and as a company.

“The 500 Distro Dojo helped us prove out the model, and now we want to offer that coaching to promising startups all over Europe, without taking equity” adds Lerner. “Our program has two formats: our half-day ‘Quick Wins’ workshop and a ‘Core Strengths’ program that runs part-time for two months.”

09 Oct 2018

After its acquisition, Magento starts integrating Adobe’s personalization and analytics tools

It’s been less than six months since Adobe acquired commerce platform Magento for $1.68 billion and today, at Magento’s annual conference, the company announced the first set of integrations that bring the analytics and personalization features of Adobe’s Experience Cloud to Magento’s Commerce Cloud.

In many ways, the acquisition of Magento helps Adobe close the loop in its marketing story by giving its customers a full spectrum of services that go from analytics, marketing and customer acquisition all the way to closing the transaction. It’s no surprise then that the Experience Cloud and Commerce Cloud are growing closer to, in Adobe’s words, “make every experience shoppable.”

“From the time that this company started to today, our focus has been pretty much exactly the same,” Adobe’s SVP of Strategic Marketing Aseem Chandra told me. “This is, how do we deliver better experiences across any channel in which our customers are interacting with a brand? If you think about the way that customers interact today, every experience is valuable and important. […] It’s no longer just about the product, it’s more about the experience that we deliver around that product that really counts.”

So with these new integrations, Magento Commerce Cloud users will get access to an integration with Adobe Target, for example, the company’s machine learning-based tool for personalizing shopping experiences. Similarly, they’ll get easy access to predictive analytics from Adobe Analytics to analyze their customers’ data and predict future churn and purchasing behavior, among other things.

These kinds of AI/ML capabilities were something Magento had long been thinking about, Magento’s former CEO and new Adobe SVP fo Commerce Mark Lavelle told me, but it took the acquisition by Adobe to really be able to push ahead with this. “Where the world’s going for Magento clients — and really for all of Adobe’s clients — is you can’t do this yourself,” he said. “you need to be associated with a platform that has not just technology and feature functionality, but actually has this living and breathing data environment that that learns and delivers intelligence back into the product so that your job is easier. That’s what Amazon and Google and all of the big companies that we’re all increasingly competing against or cooperating with have. They have that type of scale.” He also noted that at least part of this match-up of Adobe and Magento is to give their clients that kind of scale, even if they are small- or medium-sized merchants.

The other new Adobe-powered feature that’s now available is an integration with the Adobe Experience Manager. That’s Adobe’s content management tool that itself integrates many of these AI technologies for building personalized mobile and web content and shopping experiences.

“The goal here is really in unifying that profile, where we have a lot of behavioral information about our consumers,” said Aseem. “And what Magento allows us to do is bring in the transactional information and put those together so we get a much richer view of who the consumers are and how we personalize that experience with the next interaction that they have with a Magento-based commerce site.”

It’s worth noting that Magento is also launching a number of other new features to its Commerce Cloud that include a new drag-and-drop editing tool for site content, support for building Progressive Web Applications, a streamlined payment tool with improved risk management capabilities, as well as a new integration with the Amazon Sales Channel so Magento stores can sync their inventory with Amazon’s platform. Magneto is also announcing integrations with Google’s Merchant Center and Advertising Channels for Google Smart Shopping Campaigns.

09 Oct 2018

Devialet unveils an ambitious new speaker

French speaker maker Devialet is arguably manufacturing some of the best sounding all-in-one speakers on the market, but they’ve always been too expensive for the average customer. With the Phantom Reactor, the company is releasing a cheaper speaker that still sounds great.

At $999 (or €990/£990), Devialet is going for a wider audience of music fans who have enough disposable income to look beyond your average Bluetooth speaker.

But pricing is just part of the story. The Phantom Reactor is also much more compact than the original Phantom. It is four times smaller and weighs 10 pounds. It’s still quite heavy, so you won’t be able to pack it in your suitcase when you’re flying for vacation.

But you can now put it on a shelf, unplug it and move it to the kitchen, etc. In other words, you no longer have to dedicate an entire table to your Devialet speaker. And as you saw in the photos, it definitely looks like a Devialet speaker with its egg-shaped design, but much smaller.

Fortunately, the company tried to compromise as little as possible when it comes to sound. Devialet has worked for three years on this speaker to produce the same sound quality in a smaller package. “We had to reinvent everything to release this product,” co-founder and CTO Pierre-Emmanuel Calmel told me.

When it comes to specifications, the Phantom Reactor features a tiny touch panel at the top to control the speaker. It connects to your phone or computer using Wi-Fi, Bluetooth, AirPlay, Spotify Connect or UPnP. There’s also an audio jack. Chromecast Audio support as well as the ability to pair multiple speakers will come later with an update (you probably can already use multiple speakers with AirPlay 2 though).

There’s no microphone and Devialet doesn’t plan to support voice assistants on its devices directly. “We are completely focused on sound quality. We want to be platform agnostic with Apple, Amazon or Google. Our idea is that we want to make our speakers compatible with all the protocols from those companies — but our business is sound quality,” CEO Franck Lebouchard told me (former CEO Quentin Sannié wasn’t around during our meeting).

If you’re into voice assistants, you can always find a workaround. For instance, you can buy an Amazon Echo Dot and plug it to your Phantom Reactor. Let’s see if the company adds HomeKit support and other smart home features in the coming months.

Given that Sonos has taken a U-turn and integrated Amazon Alexa into its flagship speaker, I pushed a bit more on this front. “We have no plan today because it would involve a lot of effort to interact with Reactor to do your shopping. In the end, we’ll never be as good as Amazon,” Lebouchard said.

So the Phantom Reactor is just a damn good speaker, nothing else. “There’s zero background noise, zero saturation and zero distorsion,” Lebouchard said. And just like other Devialet speakers, it’s incredibly loud for the size of the speaker. During my fairly limited listening session, it sounded awesome.

It takes advantage of Devialet’s patent portfolio, including its unique sound amplification technology, a mathematical model that lets you push the speaker to its physical limits and the iconic piston-powered woofers.

But Devialet isn’t just a speaker manufacturer. The company has licensed its technology to other companies, such as Sky in the U.K. A couple of years ago, the company wanted to put a “Sound powered by Devialet” sticker on all your electronics products, from your TV to the speakers in your car.

“Phantom was the first step to make our technology accessible,” Lebouchard said. “Phantom reaches tens of thousands of people today. We’ve crossed a big milestone with the Sky Soundbox and we now reach hundreds of thousands of people.” And with the Phantom Reactor, the company hopes to reach even more customers.

The company told me that Devialet will follow all options. There will be new in-house Devialet products as well as more licensing deals. Lebouchard gave me a ‘no comment’ on the Freebox rumors though.

The Phantom Reactor will be manufactured in France near Fontainebleau. The company has built a brand new factory and expects to produce a speaker every 49 seconds.

There will be two versions of the Phantom Reactor, a 600W model for $999/€990/£990 and a 900W model for $1,299/€1,290/£1,290. Pre-orders start tomorrow and the speaker will be available in many consumer electronics stores (also on Amazon) on October 24th.

09 Oct 2018

Devialet unveils an ambitious new speaker

French speaker maker Devialet is arguably manufacturing some of the best sounding all-in-one speakers on the market, but they’ve always been too expensive for the average customer. With the Phantom Reactor, the company is releasing a cheaper speaker that still sounds great.

At $999 (or €990/£990), Devialet is going for a wider audience of music fans who have enough disposable income to look beyond your average Bluetooth speaker.

But pricing is just part of the story. The Phantom Reactor is also much more compact than the original Phantom. It is four times smaller and weighs 10 pounds. It’s still quite heavy, so you won’t be able to pack it in your suitcase when you’re flying for vacation.

But you can now put it on a shelf, unplug it and move it to the kitchen, etc. In other words, you no longer have to dedicate an entire table to your Devialet speaker. And as you saw in the photos, it definitely looks like a Devialet speaker with its egg-shaped design, but much smaller.

Fortunately, the company tried to compromise as little as possible when it comes to sound. Devialet has worked for three years on this speaker to produce the same sound quality in a smaller package. “We had to reinvent everything to release this product,” co-founder and CTO Pierre-Emmanuel Calmel told me.

When it comes to specifications, the Phantom Reactor features a tiny touch panel at the top to control the speaker. It connects to your phone or computer using Wi-Fi, Bluetooth, AirPlay, Spotify Connect or UPnP. There’s also an audio jack. Chromecast Audio support as well as the ability to pair multiple speakers will come later with an update (you probably can already use multiple speakers with AirPlay 2 though).

There’s no microphone and Devialet doesn’t plan to support voice assistants on its devices directly. “We are completely focused on sound quality. We want to be platform agnostic with Apple, Amazon or Google. Our idea is that we want to make our speakers compatible with all the protocols from those companies — but our business is sound quality,” CEO Franck Lebouchard told me (former CEO Quentin Sannié wasn’t around during our meeting).

If you’re into voice assistants, you can always find a workaround. For instance, you can buy an Amazon Echo Dot and plug it to your Phantom Reactor. Let’s see if the company adds HomeKit support and other smart home features in the coming months.

Given that Sonos has taken a U-turn and integrated Amazon Alexa into its flagship speaker, I pushed a bit more on this front. “We have no plan today because it would involve a lot of effort to interact with Reactor to do your shopping. In the end, we’ll never be as good as Amazon,” Lebouchard said.

So the Phantom Reactor is just a damn good speaker, nothing else. “There’s zero background noise, zero saturation and zero distorsion,” Lebouchard said. And just like other Devialet speakers, it’s incredibly loud for the size of the speaker. During my fairly limited listening session, it sounded awesome.

It takes advantage of Devialet’s patent portfolio, including its unique sound amplification technology, a mathematical model that lets you push the speaker to its physical limits and the iconic piston-powered woofers.

But Devialet isn’t just a speaker manufacturer. The company has licensed its technology to other companies, such as Sky in the U.K. A couple of years ago, the company wanted to put a “Sound powered by Devialet” sticker on all your electronics products, from your TV to the speakers in your car.

“Phantom was the first step to make our technology accessible,” Lebouchard said. “Phantom reaches tens of thousands of people today. We’ve crossed a big milestone with the Sky Soundbox and we now reach hundreds of thousands of people.” And with the Phantom Reactor, the company hopes to reach even more customers.

The company told me that Devialet will follow all options. There will be new in-house Devialet products as well as more licensing deals. Lebouchard gave me a ‘no comment’ on the Freebox rumors though.

The Phantom Reactor will be manufactured in France near Fontainebleau. The company has built a brand new factory and expects to produce a speaker every 49 seconds.

There will be two versions of the Phantom Reactor, a 600W model for $999/€990/£990 and a 900W model for $1,299/€1,290/£1,290. Pre-orders start tomorrow and the speaker will be available in many consumer electronics stores (also on Amazon) on October 24th.

09 Oct 2018

Mapify, the Berlin-based ‘social travel network’, locates $1M seed round

Mapify, the Berlin startup that offers what it describes as a “social travel network,” has raised $1 million in seed funding from a mixture of U.S. and Europe-based funds and angel investors.

The include Switzerland’s Ennea VC (led by Jan Valentin, who served as Senior Vice President at Kayak in Europe), Roland Grenke (co-founder of Dubsmash), Navid Hadzaad Javaherian (former founder and CEO at GoButler ​and ​Product Leader at Amazon Alexa), L.A.-based LayJax Ventures​ (the investment vehicle of Pheed co-founder Phil Haus​ and actor Zach Avery), Niv Dror​ (previously of Product Hunt ​and AngelList​), and Lucas von Cranach​ (CEO of OneFootball).

The company had previously received investment from MIT’s Sandbox Innovation Fund​, Gunnar Froh (who launched Airbnb’s international expansion), Fredrik Posse​ (Partnerships Manager at Spotify), and Hagen Angermann​ (former Senior Manager at Daimler in Asia).

Launched in November 2017 — and a finalist in TechCrunch Battlefield​ — Mapify is a social travel app that lets you “visualize, find and plan” individual travel experiences. You can visually document past and current travel experiences, including photos, descriptions and other details, either related to an individual experience or entire trip. You can also connect with other travellers via a follow function and the ability to comment on places shared or by collaborating on “collections”.

In addition — in classic social media style — the Mapify app features a location-focused feed, which pushes personal recommendations based on travel interests as understood by the platform. You can search for countries, regions and cities on Mapify to discover spots to save to your private lists of planned trips.

“The global travel market and especially its planning and booking process is fragmented,” Mapify co-founder and CEO Patrick Häde tells TechCrunch. “People are using dozens of different sources for inspiration or planning and end up sharing Google docs with friends to create some kind of unified experience. We have designed an app unifying the travel space by pulling together inspiration, sharing and planning into a seamless mobile-first platform that is based on a social network of travelers around the globe. We are designing Mapify to be social because we believe the future of travel lies in unique and personal recommendations from friends and influencers”.

To that end, Mapify is currently most popular amongst millennials, especially those who travel frequently. “As some call it the ‘Instagram of Travel’, the platform has grown virally through re-sharings on Instagram and by word-of-mouth,” Häde says.

Rather confusingly, Instagram might also be seen as a competitor, as it too can be used for travel inspiration. However, the Mapify co-founder says Instagram’s data structure is not well-suited for a travel planning process (e.g. no exact locations). Another more obvious competitor is TripAdvisor, but it doesn’t offer personalised travel feeds, making it less efficient to navigate.

Meanwhile, Mapify currently generates revenue through in-depth partnerships with travel companies such as Airbnb. “By combining different travel services in one single mobile platform, we have seen increasing interest amongst the top players in the travel industry to become part of the Mapify platform,” adds Häde.