Category: UNCATEGORIZED

25 Aug 2020

Netgear debuts a new 15.6-inch Meural WiFi Photo Frame with automatic album syncing

Smart frames as a gadget category might seem like they’ve already had and passed their moment in the sun, but Netgear’s Meural line, which originated with large connected smart canvases, has a new entrant that breathes new life into the concept. The Meural WiFi Photo Frame is a 15.6-inch connected smart frame, with the same anti-glare ‘TrueArt’ display tech it uses in its Canvas line to present great-looking images that are as close as possible to print quality.

The Meural WiFi Photo Frame connects to Meural’s smartphone app, letting you send images to the display, as well as create galleries. Netgear has added a lot of functionality updates with the introduction of the new frame, including the ability to sync albums to Meural displays, meaning you can always have an up-to-date version of a favorite album on your phone on your Frame.

You can also schedule albums and playlists to change at specific times of day, and you can even send out invites to family members and friends to contribute to shared albums as well, so that you can automatically update the Frame at the grandparents with fresh photos of the kids, for instance. Also, all of these updated smart features can now be used with both the 21-inch and 27-inch Mural Canvas II smart displays, which is great news for existing device owners.

Image Credits: Meural

Also new for the Meural WiFi Photo Rame is support for both iOS Live Photos taken with an iPhone, as well as short videos lasting up to 15 seconds. Previously, Meural devices only supported still photos or animated GIFs.

The new Photo Frame includes ambient light sensors, as well as gesture control for seeing the details behind photos, and for navigating between pictures in slide shows. It has a built-in stand which can be removed for wall-mounting, and it works in both portrait and landscape – and will automatically rotate to both and display only the types of photos in an album that match that orientation.

The WiFI Photo Frame also works with Netgear’s subscription digital art package, and the device includes 100 free artworks without any subscription required. All the personal photo features, including shared and synced albums, are available free without any subscription.

The device is available starting today, either direct from Netgear’s own online store or through select retail partners, and it’s priced at $299.95.

25 Aug 2020

Visual collaboration startup MURAL raises huge $118M Series B

This morning MURAL announced that it has raised $118 million in an outsized Series B. The visual collaboration startup provides a whiteboard-like digital environment that allows for users to cooperate and brainstorm.

MURAL announced that it had raised $23 million earlier this year, though that investment closed in 2019. The $23 million round was a more traditionally-sized Series A, coming after what TechCrunch then described as a “history of capital efficient growth.”

Since then, the company’s growth has accelerated and it has attracted new backers.

This new round was led by Insight Partners, along with a host of other capital vehicles including Tiger Global, Slack’s corporate venture fund, and the World Innovation Lab. QualtricsRyan Smith and Allison Pickens, a former COO at Gainsight also took part along with other tech notables.

When MURAL raised its Series A, the company had millions in ARR, though how many millions wasn’t clear. It also had some accounts that were worth north of $1 million apiece. So, what’s happened since that allowed the company to more than quadruple its Series A raise in its Series B?

Growth

MURAL was performing well enough in late 2019 that when it decided to take on extra capital to expand its go-to-market motion the funds were available. Since the start of 2020, the world has seen the COVID-19 pandemic reshape how hundreds of millions of information laborers work. And tools that help facilitate remote work, and remote collaboration have been in high demand.

This has not harmed the startup’s growth.

In emails with TechCrunch, MURAL disclosed that it has tripled its annual recurring revenue (ARR) in the last year. And, the company has added “over a million” monthly active users (MAUs) thus far in 2020. How many MAUs did MURAL have before? The company declined to share, but did say that “prior to 2020” its monthly actives were in the “hundreds of thousands.”

MURAL has therefore seen rapid revenue growth and rising usage in 2020.

The startup has plans for its new capital, including spending more on its global go-to-market capabilities, product work, and “community engagement initiatives.” The first two planned efforts are standard-fare for startup funding news, while the last is a bit different. To understand it, recall that MURAL works with consultants who, in turn, use its product. The stronger that network is the longer the startup may be able to sustain its current revenue growth, as having a network of in-market product evangelists isn’t a bad way to get the word out.

The company and its backers think that it has a lot more market to sell into than it has reached to-date. Insight Capital’s Nikhil Sachdev told TechCrunch in an interview that MURAL is operating in a “a big horizontal category,” and that “even before COVID, there was a lot of great evidence” of how big the company might become, given its history of sales into enterprise companies, and its resulting “engagement metrics [and] net revenue retention trends, pre-COVID.”

Throw in a remote-work inducing global change, and things get even more interesting. In Sachdev’s view, “COVID has certainly accelerated the demand curve” for MURAL, which helps explain its torrid revenue expansion.

MURAL is helmed by Mariano Suarez-Battan, a CEO that I’ve spoken too a number of times in the last year to keep tabs on the growth of his company. Asked how he wound up raising a somewhat peculiar $118 million in the Series B, he deadpanned “astrology.”

The real reason is that Suarez-Battan was looking for a few things in his new investor set, including “patience,” “money,” and an “unfair advantage going into [the] large enterprises of the world.” Our read of the round, in light of that comment, is that to providing the selected parties sufficient allocation to make the deal work wound up generating the very large $118 million Series B figure. (TechCrunch did confirm that the round was a minority investment.)

MURAL doesn’t appear overly worried about a return to the world from before, once COVID-19 is eventually brought to heel. To explain its view, Suarez-Battan told story of a user who dramatically expanded the number of workshops they could host each week thanks to the digital service. The company’s point? Will that person go back to doing fewer, in-person events or stay doing more, online events, even after COVID?

Regardless of how the world reverts, or not post-COVID, MURAL has taken advantage of a big market movement in its direction. And now it has more money than ever to pursue its plan for growth. Let’s see how far it can get before we hear from the startup yet again.

25 Aug 2020

Self-charging, thousand-year battery startup NDB aces key tests and lands first beta customers

Pleasanton-based green energy startup NDB, Inc. has reached a key milestone today with the completion of two proof of concept tests of its nano diamond battery (NDB). One of these tests took place at the Lawrence Livermore National Laboratory, and the other at the Cavendish Laboratory at Cambridge University, and both saw NDB’s battery tech manage a 40 percent charge, which is a big improvement over the 15 percent charge collection efficiency (effectively energy lossiness relative to maximum total possible charge) of standard commercial diamond.

NDB’s innovation is in creating a new, proprietary nano diamond treatment that allow for more efficient extraction of electric charge from the diamond used int eh creation of the battery. Their goal is to ultimately commercialize a version of their battery that can self-charge for up to a maximum lifespan of 28,000 years, created from artificial diamond-encased carbon-14 nuclear waste.

This battery doesn’t generate any carbon emissions in operation, and only requires access to open air to work. And while they’re technically batteries, since they contain a charge which will eventually be expended, they provide their own charge for much longer than the lifetime of any specific device or individual user, making them effectively a charge-free solution.

NDB ultimately hopes to turn their battery into a viable source of power for just about anything that consumes it – including aircraft, EVs, trains and more, all the way down to smartpones, wearables and tiny industrial sensors. The company is currently at now at work creating a prototype of its first commercial battery, in order to make that available sometime later this year.

It has also just signed its first beta customers, who will actually be receiving and making use of those first prototypes. While it hasn’t named them specifically, it did say that one is “a leader in nuclear fuel cycle products and services,” and the other is “a leading global aerospace, defense and security manufacturing company.” Obviously, this kind of tech has appeal in just about every sector, but defense and power concerns are likely among the deepest-pocketed.

25 Aug 2020

Amazon rolls out a new AR shopping feature for viewing multiple items at once

Amazon is rolling out a new augmented reality shopping tool, Room Decorator, that will allow you to see furniture and other home decor in their own space. While the retailer had experimented with AR tools in the past, what makes Room Decorator different is that it’s capable of virtually adding multiple products to the room at the same time. That means you can visualize how a whole set of new products could fit together in your own space.

The company had first launched a simpler version of AR shopping back in 2017 with a feature called AR View in its Amazon iOS app, built using ARKit. But like many of the AR shopping tools to date, the focus with AR View was to allow consumers to visualize a single product in their room — like a new chair or lamp or vase, for example — to see how the addition went with their existing decor.

The Room Decorator experience takes things much further as not only can you view multiple products together, you can also use the feature when your away from home by saving the AR snapshots of your room for later access.

The feature is available across thousands of furniture products available on Amazon, including those offered both by Amazon and some of its third-party sellers. When a consumer happens upon one of these items, they’ll click the “View in Your Room” button to get started. This button will appear under the eligible furniture products in the Amazon shopping app for iOS and desktop web browsers.

Within the AR experience, consumers will be presented with suggestions of complementary products to the one they were first viewing. As shoppers browse these recommendations, they can add the other products to their same room and rearrange them to get a better look.

The products in the AR view are shown both in scale and in high-definition, Amazon says, so there’s less confusion about how the item looks in real-life. If they’re not ready to make a decision, the customer can tap “Save Room” on iOS which then saves a snapshot of their room in a new section under their Amazon account. (“Your Rooms”). They’ll also be emailed a link to the saved room for easy access.

If the customer is ready to purchase, the items in Room Decorator can be added to a shopping cart from within the AR experience directly.

Amazon told TechCrunch the new experience has been under development for over a year and leverages Apple’s ARKit for some of its AR technology integrations. The retailer says it found customers wanted to visualize products in their home, even when they weren’t at home or in the room, which is why it added the ability to continue to view and arrange products in the saved photos.

This part of the experience looks similar to Amazon’s existing “Showroom” feature on the web, where you can design a room using a visual tool. But Amazon says the new AR effort was led by its visual search team, not the furniture team, as Showroom was.

“Amazon is always exploring new ways to create experiences that delight our customers. With the addition of Room Decorator tools, Amazon enhances its augmented reality feature to give customers an even more immersive shopping experience from the comfort of their own home, or on the go,” an Amazon spokesperson said, confirming the new feature.

“With access to the inspiring furniture styles available on Amazon, customers can do more than just imagine their dream rooms—they can visualize them to make more informed shopping decisions,” they added.

Amazon had tested AR features before the launch of AR View in 2017. It once tried out “shoppable stickers” that used AR to place basic stickers of products in your space as sort of an early iteration on this concept of being able to see multiple products at once. But, as stickers, the items had no depth, and there was very little you could do with them in terms of truly visualizing how they would look.

The new Room Decorator feature is launching today across  50% of the Amazon iOS mobile app install base in the U.S. Over the next few weeks, the feature will roll out to 100% of U.S. shoppers, the company says.

 

25 Aug 2020

Google Cloud Anthos update brings support for on-prem, bare metal

When Google announced Anthos last year at Google Cloud Next, it was a pretty big deal. Here was a cloud company releasing a product that purported to help you move your applications between cloud companies like AWS and Azure  — that would be GCP’s competitors — because it’s what customers demanded.

Google tapped into genuine anxiety tech leaders at customer companies are having over vendor lock-in in the cloud. Back in the client-server days, most of these folks got locked into a tech stack where they were at the mercy of the vendor. It’s something companies desperately want to avoid this go-round.

With Anthos, Google claimed you could take an application, package it in a container, and then move it freely between clouds without having to rewrite it for the underlying infrastructure. It was and remains a compelling idea.

This year, the company is updating the product to include a couple of speciality workloads that didn’t get into version 1.0 last year. For starters, many customers aren’t just multi-cloud, meaning they have workloads on various infrastructure cloud vendors, they are also hybrid. That means they still have workloads on-prem in their own data centers, as well as in the cloud, and Google wanted to provide a way to include these workloads in Anthos.

Pali Bhat, VP of product and design at Google Cloud says they have heard customers still have plenty of applications on premises and they want a way to package them as containerized, cloud native workloads.

“They do want to be able to bring all of the benefits of cloud to both their own data centers, but also to any cloud they choose to use. And what Anthos enables them to do is go on this journey of modernization and digital transformation and be able to take advantage of it by writing once and running it anywhere, and that’s a really cool vision,” Bhat said.

And while some companies have made the move from on prem to the cloud, they still want the comfort of working on bare metal where they are the only tenant. The cloud typically offers a multi-tenant environment where users share space on servers, but bare metal gives a customer the benefits of being in the cloud with the ability to control your own destiny as you do on prem.

Customers were asking for Anthos to support bare metal, and so Google gave the people what they wanted and are releasing a beta of Anthos for bare metal this week, which Bhat says provides the answer for companies looking to have the benefits of Anthos at the edge.

“[The bare metal support] lets customers run Anthos […] at edge locations without using any hypervisor. So this is a huge benefit for customers who are looking to minimize unnecessary overhead and unlock new use cases, especially both in the cloud and on the edge,” Bhat said.

Anthos is part of a broader cloud modernization platform that Google Cloud is offering customers that includes GKE (the Kubernetes engine), Cloud Functions (the serverless offering) and Cloud Run (container run time platform). Bhat says this set of products taps into a couple of trends they are seeing with customers. First of all, as we move deeper into the pandemic companies are looking for ways to cut costs while making a faster push to the cloud. The second is taking advantage of that push by becoming more agile and innovative.

It seems to be working. Bhat reports that in Q2, the company the company has seen a lot of interest. “One of the things in Q2 of 2020 that we’ve seen is that just Q2, over 100,000 companies used our application modernization platform and services,” he said.

25 Aug 2020

Level Home introduces Level Touch, a sleek smart lock that doesn’t advertise its intelligence

Hardware startup Level introduced their first product earlier this year, and now they’re already following it up with a brand new smart lock. The original Level Lock broke new ground in the smart lock category with an invisible design that works with a range of standard doors and existing deadbolt external hardware, but the new Level Touch is the full package, with Level’s own thumb-turn and exterior key plate – and upgraded internals that add new smart capabilities into the mix.

The new Level Touch is available starting today direct fro Level’s own website, and is priced at $329. For that, you get a smart lock that comes in a range of finishes, including Satin Chrome, Satin Nickel, Polished Brass and Matte Black, and that includes smartphone control for lock and unlock, along with optional automatic geofenced unlocking, touch to lock/unlock, and programmable NFC-based keys that allow you to easily grant and revoke access on demand.

Level’s ex-Apple team hardware design chops are on full display with this new product. The outside design is definitely the most sleek and subtle smart lock you can find on the market – lacking even Level’s own branding, except for the smartly placed logo on the very end of the deadbolt itself (which doubles as the CR2 battery compartment for the lock, by the way). It’s a fantastic-looking product that should blend seamlessly into any decor, thanks to the various finishing options.

This is a huge improvement over most smart locks, which wear their smarts on their sleeve either with huge keypads, or bulky turners that house all the intelligent components. Level’s approach here builds on what it created with the Level Lock, housing smarts inside the door – but adds new capacitive surfaces that make the entire lock touch-sensitive for added convenience features. You can touch to lock, for instance, which makes it really easy to lock your door on the way out, and set it to touch to unlock when you have your smartphone in your pocket for added peace-of-mind.

In the box, you’ll also find two NFC-enabled keycards that can be programmed with access to your Level Touch (or more than one). Programming them is as easy as tapping your phone to the cards when directed to do so in the Level app, and you can revoke access to the cards remotely at any time if you need to. The built-in NFC in the locks can work with any programmable NFC device, so you can create your own keys using the readily available, inexpensive tags that you can pick up from Amazon, too.

Level says you’ll get over a year of battery life out of a single standard CR2 battery, and installation requires just one Phillips-head screwdriver. It’s also HomeKit enabled for Siri voice control and other smart home automation features.

We’ll be taking the Level Touch for a test ride to see if it lives up to how good it looks on paper, but this is a hardware startup that’s clearly thinking deeply about how to better integrate smart home devices into our daily lives.

25 Aug 2020

Calling Paris VCs: Be featured in The Great TechCrunch Survey of European VC

TechCrunch is embarking on a major new project to survey the venture capital investors of Europe.

Our <a href=”https://forms.gle/k4Ji2Ch7zdrn7o2p6”>survey of VCs in Paris will capture how the city is faring, and what changes are being wrought amongst investors by the coronavirus pandemic.

We’d like to know how your Paris’s startup scene is evolving, how the tech sector is being impacted by COVID-19 and, generally, how your thinking will evolve from here.

Our survey will only be about investors, and only the contributions of VC investors will be included.

The shortlist of questions will require only brief responses, but the more you want to add, the better.

You can fill out the survey here.

Obviously, investors who contribute will be featured in the final surveys, with links to their profiles.

What kinds of things do we want to know? Questions will include which trends are you most excited by? What startup do you wish someone would create? Where are the overlooked opportunities? What are you looking for in your next investment, in general? How is your local ecosystem going? And how has COVID-19 impacted your investment strategy?

Over the next few weeks, we will be “zeroing-in” on Europe’s major cities.

It’s part of a broader series of surveys we’re doing to help founders find the right investors. For example, here is the recent survey of London.

Not in Paris? European VC investors can STILL fill out the survey, as we will be putting a call out to your city next anyway! The survey will cover almost every European country on the continent of Europe (not just EU members, btw), so just look for your country in the menu on the survey and please participate (if you’re a venture capital investor).

Thank you for participating. If you have questions you can email mike@techcrunch.com and/or reply on twitter to @mikebutcher

25 Aug 2020

Calling Paris VCs: Be featured in The Great TechCrunch Survey of European VC

TechCrunch is embarking on a major new project to survey the venture capital investors of Europe.

Our <a href=”https://forms.gle/k4Ji2Ch7zdrn7o2p6”>survey of VCs in Paris will capture how the city is faring, and what changes are being wrought amongst investors by the coronavirus pandemic.

We’d like to know how your Paris’s startup scene is evolving, how the tech sector is being impacted by COVID-19 and, generally, how your thinking will evolve from here.

Our survey will only be about investors, and only the contributions of VC investors will be included.

The shortlist of questions will require only brief responses, but the more you want to add, the better.

You can fill out the survey here.

Obviously, investors who contribute will be featured in the final surveys, with links to their profiles.

What kinds of things do we want to know? Questions will include which trends are you most excited by? What startup do you wish someone would create? Where are the overlooked opportunities? What are you looking for in your next investment, in general? How is your local ecosystem going? And how has COVID-19 impacted your investment strategy?

Over the next few weeks, we will be “zeroing-in” on Europe’s major cities.

It’s part of a broader series of surveys we’re doing to help founders find the right investors. For example, here is the recent survey of London.

Not in Paris? European VC investors can STILL fill out the survey, as we will be putting a call out to your city next anyway! The survey will cover almost every European country on the continent of Europe (not just EU members, btw), so just look for your country in the menu on the survey and please participate (if you’re a venture capital investor).

Thank you for participating. If you have questions you can email mike@techcrunch.com and/or reply on twitter to @mikebutcher

25 Aug 2020

UK immersive music startup MelodyVR acquires Napster from RealNetworks for $70M

Napster, the pioneering digital music brand from way back when, is changing hands once more. Today, a UK startup called MelodyVR, which creates immersive live music experiences that you watch either through VR headsets or phones, announced that it has acquired Rhapsody International — the company that owns Napster — for $70 million.

MelodyVR is publicly traded on the London Stock Exchange, and its market cap is currently around £74 million (about $97 million).

MelodyVR said that Rhapsody, which offers music directly to consumers as well as via B2B deals with companies like BMW, has 3 million users across four continents, with some 90 million licensed tracks in its catalogue. In 2019 it clocked 10.8 billion streams with revenues of $113 million on the back of an ad-free model that charges users $9.99/month for its service.

MelodyVR, meanwhile, has worked with artists such as Post Malone, Cypress Hill (pictured from a recent LA performance in a studio above), KISS, Lewis Capaldi, Kesha, Khalid, Luke Combs, John Legend, Kelly Clarkson, Panic! At the Disco and Tori Kelly, and has collaborated with a number of venue owners and event planners like Live Nation and O2 Telefonica. Notably, in more recent times, it has been one of the VR companies building and running “COVID-19-safe” studios in London and Los Angeles for artists to use and continue performing.

MelodyVR said that initially the two will continue to operate as separate businesses, but longer term the plans is to build out a wider platform that incorporates both immersive, virtual live music as well as music streaming services.

At a time when live music is under a lot of threat because of the coronavirus health pandemic and the restrictions on gatherings of large groups, it could turn out to be a very timely deal, even as it puts MelodyVR in more direct competition with other large streaming services such as Spotify, Amazon Music, and offerings from platform giants Google and Apple.

“MelodyVR’s acquisition of Napster will result in the development of the first ever music entertainment platform which combines immersive visual content and music streaming,” said MelodyVR CEO Anthony Matchett in a statement. “For music fans today, live and recorded music are intrinsically linked. We are as keen to see our favourite artists perform live as we are to listen to their albums. Our purchase of Napster, one of the music industry’s original disruptors, is born out of our wish to deliver the world’s foremost music experience, available seamlessly across audio and visual media and in turn presenting a truly next generation music service.”

MelodyVR becomes the third owner of Napster, after Rhapsody acquired the company in 2011 from Best Buy (which bought it in 2008 for $121 million). Rhapsody itself was spun out of RealNetworks in 2010, but over the years, amid investments by others like Telefonica, RealNetworks gradually built up its stake in the company once more.

Napster began its life as a renegade in the very nascent world of digital music, before the days of streaming, giving consumers an easy way to share music files (typically MP3s), helping them bypass purchasing physical or digital tracks and albums.

Ultimately, it was too good to be true: the company faced huge lawsuits and legal challenges that ultimately crippled the business and shut it down. The brand and logos still had a lot of currency, and they were purchased at a bankruptcy auction by Roxio, which then rebranded its own digital music service (FKA Pressplay) as Napster, which is the company that was then picked up by Best Buy, and then Rhapsody, and ultimately RealNetworks.

Through all that, Napster undeniably paved the way for a number of other technological approaches — such as the P2P architecture that Spotify used in its earliest days of building its streaming service — which now dominate how music is consumed.

Ultimately, all that business sounded the death knell for physical music sales, and the industry has subsequently turned to a variety of other avenues to diversify its business model. One of key the routes has been in live performance. So as live performing is now under threat, having a new home that is building a virtual alternative to physical venues could mean a potentially interesting combination.

“This is a tremendous outcome for two organizations with complementary platforms and loyal audiences, and we could not be more excited to be moving forward as one company,” said Napster CEO Bill Patrizio, in a statement. “The product, technology and cultural synergies of Napster and MelodyVR will bring tremendous innovation for music lovers, artists and the entire music industry. Good things come from being together, and we look forward to creating a powerful platform that combines our strengths and offers an even wider range of content to consumers, creators and advertisers.”

25 Aug 2020

Eduardo Saverin on the ‘world of innovation past Silicon Valley’

Eduardo Saverin will forever be known for cofounding Facebook 16 years ago with four other Harvard classmates (one of whom is still running the company).

But even before splitting in 2009 for Singapore with his shares of the company, Saverin’s attention was on startup investing, and since 2015, he has been laser focused on B Capital, the five-year-old venture firm that he set up with another friend, Raj Ganguly, a former consultant and vice president at Bain Capital.

There’s a bit to manage. The two — along with three other general partners — are now overseeing more than $1 billion across four offices and two funds, both of which are anchored by the management consulting giant Boston Consulting Group (BCG). In fact, unlike most five-year-old firms, B Capital has from the outset — partly because of its close ties to BCG — been on a mission to identify interesting startups and trends across the world. A quick look at its portfolio underscores just how wide a net it is casting, with bets that range from Ninja Van, the last-mile logistics provider for delivery services in Southeast Asia, to the L.A. scooter company Bird, to Icertis, a Bellevue, Wa.-based contract management software maker.

We talked back in February with Ganguly about B Capital’s approach. Last week, as B Capital was closing its first bet on a startup headquartered in Latin America (Yalochat), we had the opportunity to talk with Saverin, too, about how he sees the firm growing from here. Our chat has been edited lightly for the length.

TC: You were born in Brazil.

ES: I was born and raised in Brazil, São Paulo, then I moved to the West [to Florida, then to Boston for school] and I ended up out here in Asia more than 10 years ago.

TC: I’m surprised you haven’t invested in the region sooner.  I’m assuming — maybe wrongly — that you spend time there and have relationships there?

ES: Good things take time. For me, it’s a question of getting to know an ecosystem and getting ready to invest in it. We really do think about investing longer term in a truly global fashion, and we look at entrepreneurs who think of themselves also in a borderless world where they can start in a particular country region, then leverage what they’ve learned to expand across the world. In the case of Yalochat, [a conversational commerce startup that’s headquartered in Mexico City], it’s a Latin American business that is already today in Asia, but could they be the rest of the world? Absolutely. There are these more fabled stories of U.S. companies expanding elsewhere in the world, and even Chinese companies. But why couldn’t a Latin American company do that, or an African company? Our view is that they can.

My background, coming from Latin America, having lived in the U.S. and now living in Asia, [I’m] humbled by the fact that the world isn’t the same. So while we as a firm think about ‘global first,’ it doesn’t mean every part of the world is the same. You need to learn, adapt, get better, and get smarter about how each region works and how to do business there. So for us, we didn’t start on day one investing absolutely everywhere, but that is the mission.

TC: I talked with Raj not so long ago and he mentioned that one of B Capital’s startups has a business development person and a sprinkling of other employees in in Silicon Valley even though the company isn’t selling into U.S. markets. He said it “helps them get a better valuation.” Are others of your founders doing this, too? Should they?

ES: We talk a lot about the world of innovation past Silicon Valley. But that’s not because you should ignore Silicon Valley. It’s simply because I think there’s been over the years an overemphasis that it’s the be-all center of the innovation. You can’t go to the point of ignoring it — it’s actually critically important, and it will continue to be a big part of entrepreneurship. So we don’t ignore it. But I think it’s important to understand that its dominance won’t remain — not because it won’t do as well but because other parts of the world will do well.

As for whether companies think about creating offices in Silicon Valley, absolutely if it fits the requirements of that particular business. The Valley is a tremendous enabler, but it’s also challenging because for talent, for example, you’re in competition with a wide array of heavily funded companies, For instance, we have an autonomous driving technology company we have backed out of Europe, and if you think about the talent that they can acquire there versus the Valley and some of the price points, and you go down to the bottom-line enablement of that business, they certainly should maintain a large part of their engineering staff in their initial [European] headquarters. But they do have an office in Silicon Valley because I think there are very unique angles that they can bring to bear in terms of talent and skill set in Silicon Valley.

TC: How do you get comfortable with founders all over the world when your firm is sizable but not enormous? You don’t have an office in Europe. You don’t have an office in Latin America. Will that change?

ES: We don’t have what I would say is a dedicated staff [in either region] but because of our approach is a partnership-enabled approach — as an example, one of our big partners in our firm is the Boston Consulting Group and they have offices across Latin America and a deep on-the-ground presence —  a lot of the time we get introduced that way.

More broadly, our investments come from a variety of means that includes both relationships with founders who we’ve gotten to know time and who may have relationships with other upcoming founders and investors, so we also get introduced that way.

TC: What piqued your interest about Yalochat specifically? 

ES: It’s a company that’s looking to enable large enterprises on top of the messaging world, which is something we’ve looked at very deeply. There’s a lot of examples in Asia of how messaging applications and conversational commerce has been incredibly effective at enabling a reconstruction of how enterprises engage with their end consumers. So [using] that pattern recognition, we started looking at the space in other parts of the world and at winners in an economy like Latin America, where messaging is just huge.

Facebook use in Brazil, for example, is number three in the world after India and the U.S., so it’s a huge market for social. It’s a massive market for messaging.

TC: Have you invested in conversational commerce apps elsewhere in the world?

ES: No, as we take a bet on each of these categories, we like to back one entrepreneur and go with him across the world.

TC: But you have two scooter type companies in different parts of the world — Bird in the U.S. and Bounce in India — because the markets are so different. Is that an exception to the rule? Do you think in some cases it makes more sense to bet on local players?

ES:  I think in this particular case, when we’re talking about the enablement of new mobility mobility solutions, we viewed the India spoke solution and problem as massively different than what Bird was solving in more developed economies. I think Bird can be pan-global and that it has shown the capability to grow globally. But the India equation was a very different one for Bounce, where you’re seeing a company that looked at [executing on] public transportation enablement at incredibly low cost and doing it with a proven, tested, multi-decade medium, meaning traditional Vespas and motorcycle-style scooters in the region. So these were very different companies at incredibly different price points that I would say are more complementary than anything.

TC: You’ve also made numerous fintech bets in India and Indonesia, I know, and you’re looking to do more of the same in Latin America, where there is similarly a massive number of people who are underbanked or unbanked. How important would you say your relationship with Boston Consulting Group in seizing on this opportunity? 

ES: The idea is to build a big team [at B Capital], but to be enabled truly by partnerships, like with BCG, which help us bring to bear corporate relationships to our startups. If you think about it, the past few decades have been about the rise of the consumer internet. The next few decades will be about how you’re going to bring digital transformation to large traditional industries. These are industries that much larger than the industries that Facebook or Google tackled in the beginning. The advertising industry is a minuscule part of the GDP. We look at it in comparison to health care, financial services, or logistics, and technology innovation is going to start touching these massive industries.

As an entrepreneur, should you consider doing it without partnering and leveraging the distribution, regulatory know-how, and capital of the largest companies in that space? I know the startup timeline is very different than the corporate timeline in terms of how quickly the clock ticks. But our goal is to be a translation engine and a partnership engine between those industries, which creates a win-win.

It’s less about entrepreneurs in a dorm room trying to “out innovate” and take out the largest businesses in the world. In a lot of cases, it’s thinking about, ‘Can I do it faster if I leverage an asset or a distribution network or the regulatory reality of a large business, and can I create a win in doing that?’ We’re trying to make innovation not just about disruption but about positive and neutral transformation. I think that it will become part of the story. It’s not always going to be the story. But it will become a more important part of the story as you start seeing innovation begin transforming large, traditional industries versus [what we’ve seen with] the consumer internet.