Category: UNCATEGORIZED

16 Dec 2019

Watch SpaceX launch a Boeing-built satellite and attempt to recover its spacecraft fairing live

SpaceX is launching yet another rocket this evening – its 13th this year. This Falcon 9 launch is set for liftoff sometime during a window that’ll last for just over an hour, and that opens at 7:10 PM EST (4:10 PM PST) and extends to 8:38 PM EST (5:38 PM PST). The launch will use a first stage rocket booster that previously flew in May and July of this year, and it’ll include an attempted landing of that booster, as well as a try at recovering both halves of the fairing used to protect the spacecraft’s cargo as it ascends to space.

The cargo itself is a satellite built by Boeing that hosts two payloads for different clients, including Japanese pay TV broadcast service provider SKY Perfect JSAT, and a high-speed broadband connectivity satellite developed by Kratos called Kacific1. The Falcon 9 spacecraft will be looking to deliver these to orbit around half-an-hour after liftoff.

It’s definitely going to be worth watching the secondary mission elements of this one, since SpaceX has so far succeeded only in recovering one half of a fairing used during a mission with a single barge stationed in the ocean. This will see it try to catch both pieces, using two ships named ‘Ms. Tree’ and ‘Ms. Chief’ respectively that have been retrofitted with a large net assembly specifically for the purpose.

Tune in here for the livestream above, which should get started around 15 minutes prior to the opening of the launch window, so at around 6:55 PM EST (3:55 PM PST).

16 Dec 2019

Solve, the startup creating an interactive “Law & Order” for social media, raises $20 million

When “Law and Order” ended its twenty-year run in 2010, it had already cemented its place as one of the longest-running television dramas in history. Its success was a testament to the enduring popularity of a good mystery.

Mining that same well of a demand for whodunnits, a roughly one-year-old Los Angeles-based startup called Solve has raised $20 million in financing to update the genre for a new generation of media consumers.

Its eponymously titled social media programming, available on Instagram and Snap, has managed to nab roughly 30 million interactions over the year-and-a-half that it distributed its productions. Now the company is launching a true crime podcast, to tap into another potentially high-growth market, on the iHeartMedia and Apple platforms.

Solve began as a series developed within the mobile-focused entertainment studio, Vertical Networks. Helmed by Tom Wright and financed by Elisabeth Murdoch (through her Freelands Ventures fund, which Wright also managed) and Snap, the company was one of the early entrants to raise cash as a production studio for mobile content. But it was far from the only studio to see money in mobile-first entertainment. All of the major internet-age media companies had their own mobile strategies.

Murdoch eventually replaced Wright (so that he could work on spinning up Solve as an independent entity) and sold Vertical Networks two months ago to the online media startup, Whistle, for an undisclosed amount.

“I spent a year looking deep deep deep into audience behavioral data on snap and facebook,” Wright says. “The DNA of what I thought [audience] sensibilities was leading towards was this format.” 

As Vertical Networks was winding down, Solve was spinning up with help from Lightspeed Venture Partners, Upfront Ventures, and Advancit Capital.

“We’ve seen incredibly popular crime mystery shows across media, including podcasts like Serial and Dirty John, TV shows like Making a Murderer and Law & Order, and movies like The Usual Suspects and Gone Girl,” said Jeremy Liew, Partner at Lightspeed Venture Partners, in a statement. “Games have attained a first class status as media but we’ve yet to see a crime mystery format game achieve the same success, and Solve is going to right that wrong.”

The gamification element that’s made Solve’s episodes resonate with mobile audiences on social platforms will be a small part of the initial series, says Wright, with plans to expand the interactive elements going forward.

Produced in partnership with SALT audio, whose previous work includes “Blackout” and “Carrier” and iHeartMedia, the ten-episode series uses the same “ripped from the headlines” storytelling for its thirty minute broadcasts and offers listeners clues in leaked audio files, voicemails, courtroom testimony and other evidence to try and guess the killer.

For now, Solve is content to be a studio producing ad-supported media for platforms like Apple, Snap, Facebook, iHeartMedia, and other distributors, according to Wright. It’s a different path than studios like Quibi, which is creating its own streaming service dedicated to mobile storytelling and backed by many of the major Hollywood studios.

The current pace of production means that Solve is making 18 original episodes per-month. For the 40-year-old Wright, Solve represents a fourth foray into the world fo startups. And while he’s not a fan of the crime or mystery genre himself, Wright said that the data around engagement was too compelling to not try and launch a business around it.

“The Internet has changed how we interact with the world from taxis to news to shopping. We believe that Solve can fundamentally change how we interact with narrative video storytelling,” said Mark Suster, Managing Partner, Upfront Ventures, in a statement. “When we heard Tom’s vision for short-form video that you not only watch but also must ‘solve‘, we knew that it had enormous potential.”

16 Dec 2019

Apple partners with ABC on 2020 presidential coverage in the Apple News app

Apple announced today it will collaborate with ABC News on coverage of the upcoming 2020 U.S. presidential election in its Apple News app. The efforts will kick off with the Democratic primary debate on February 7, 2020, in New Hampshire, and will feature ABC News videos, live streams, plus FiveThirtyEight polling data, infographics and analysis during key moments in the 2020 election.

The collaboration will extend through Super Tuesday, the Republican and Democratic National Conventions, the general election debates, election night and the 2021 presidential inauguration, Apple says.

ABC News, Apple News, and WMUR-TV will also partner for the February debate, the first to be held after primary voting begins.

This isn’t the first time Apple has added special coverage to its News app in the months leading up to a U.S. election. The company began to push its own election coverage after the 2016 election controversies that saw large tech companies, including Google, Twitter, and Facebook, facing congressional inquiries and investigations regarding the Russian interference with elections that took place across their networks.

In the months since, Apple News rolled out its own guide to the U.S. midterms, followed by a real-time election results hub on Nov. 6, 2018. And most recently, it added a guide to the 2020 Democratic candidates and debates.

The need for news platforms users can trust is a key part of Apple’s agenda with its News app. Apple cites ABC’s winning of four Edward R. Murrow Awards this year, including for overall excellence in television. It also hosted the most-watched debate of the 2020 presidential cycle so far in September 2019, with over 14 million viewers across ABC and Univision, and 11 million online video views.

FiveThirtyEight, meanwhile, is known for its statistical analysis, data visualization, and reporting on politics and the election, which includes things like trackers on the latest polling, candidate endorsements, and fundraising.

“Access to quality news and trusted information is always important, and never more so than in an election year,” said Lauren Kern, editor-in-chief of Apple News, in a statement about the collaboration. “We’re proud to partner with ABC News to present the millions of people who use Apple News each day with dynamic live coverage and responsible analysis during the major news moments of the 2020 election.”

“This election is one of the most consequential in modern history, and this unprecedented partnership with Apple News will deliver our world-class political journalism to more people than ever before,” noted James Goldston, president of ABC News. “It will enable millions more people to have a deeper understanding of the key issues, candidates, and events by providing straightforward information, insight, and context during the entire 2020 cycle — reaching our audience anywhere and anytime they want breaking and in-depth news,” he said.

Prior Apple News election coverage involved a range of media partners, such as Axios, Politico, The Washington Post, Fox News, CNN, The New York Times, CBS and others.

It’s notable that Apple has this time selected ABC as its coverage partner. Apple has historically had close ties with Disney, which owns ABC, thanks to Disney CEO Bob Iger’s close relationship with Apple co-founder Steve Jobs and Disney’s acquisition of Jobs’ company, Pixar, in 2006. However, with Apple’s launch of Apple TV+, a Disney+ competitor, Iger resigned from Apple’s board of directors, saying the two companies’ paths were conflicting. But as tihs 2020 election news partnership demonstrates, the two companies can still work closely together, at times.

 

 

16 Dec 2019

Kid-focused STEM device startup Kano sees layoffs as it puts Disney e-device on ice

London-based STEM device maker Kano has confirmed it’s cutting a number of jobs which it claims is part of a restructuring effort to shift focus to “educational computing”.

The job cuts — from 65 to 50 staff — were reported earlier by The Telegraph. Kano founder Alex Stein confirmed in a call with TechCrunch that Kano will have 50 staff going into next year. Although he said the kid-focused learn to code device business is also adding jobs in engineering and design, as well as eliminating other roles as it shifts focus.

He also suggested some of the cuts are seasonal and cyclical — related to getting through the holiday season.

Per Stein, jobs are being taking out as the company moves from building atop the Raspberry Pi platform — where it started, back in 2013, with its crowdfunded DIY computer — to a Windows-based learning platform.

Other factors he pointed to in relation to the layoffs include a new manufacturing setup in China, with a “simpler, larger contract manufacturer”; fewer physical retail outlets to support, with Kano leaning more on Amazon (which he said is “cheaper to support”); fewer dependencies on large partners and agencies, with Stein claiming 18% of US parents with kids aged 6-12 are now familiar with the brand, reducing its marketing overhead; and a desire to shrink the number of corporate managers vs makers on its books as “we’ve seen a stronger response to our first-party Kano products — Computer Kit, Pixel Kit, Motion Sensor Kit — than expected this year”.

“We have brought on some roles that are more focused on this new platform [Kano PC], and some roles that were focused on the Raspberry Pi are no longer with us,” he also told TechCrunch.

Kano unveiled its first Windows-based PC this fall. The 11.6-inch touch-enabled, Intel Atom-powered computer costs $300 — which puts it in the ballpark price-range of Google’s Chromebook.

The tech giant has maintained a steady focus on the educational computing market — putting a competitive squeeze on smaller players like Kano who are trying to carve out a business selling their own brand of STEM-focused hardware. Against the Google Goliath, Stein touts factors such as relative repairability and attention to computing performance for the Kano PC (which he claims is “on a par with the Surface Go”), in addition to having now thrown its lot in with rival giant, Microsoft.

“The more and more we got into school environments the more and more we were in conversations with major North American distributors to schools, the more we saw that people wanted that ‘DIY’… product design, they wanted the hackability and extensibility of the kit, they wanted the tools to be open source and manipulable but they also wanted to be able to run Photoshop and to run Class Dashboard and to run Microsoft Office. And so that was when we struck the partnership with Microsoft,” said Stein.

“The Windows computing is packed with content and curriculum for teachers and an integration with Microsoft Teams which requires a different sort of development capability,” he added.

“The roles we’re adding are around subscription, they’re around the computer, building new applications and tools for the computer and continuing to enrich the number of projects that are available for our members now — so we’re doing things like allowing people to connect the sensors in their wands to household IoT device. We’re introducing, over the Christmas period, a new collaborative drawing app.”

According to Stein, Kano is “already seeing demand for 60,000 units in this next calendar year” for its Windows-based PC — which he said is “well beyond what we expect… given the price-point.

Although he did not put a figure on exact sales to date of the Kano PC.

He also confirmed Kano will be dialling back the range of products it offers next year.

It recently emerged that an own-brand camera device, which Kano first trailed back in 2016, will not now be shipping. Stein also told us that another co-branded Disney product they’d been planning for 2020 is being “put back” — with no new date for release as yet.

Stein denied sales have been lacklustre — claiming the current Star Wars and Frozen e-products have “done enough for us”. (While a co-branded Harry Potter e-wand is selling faster than expected, per Stein, who said they had expected to have stock until March but are “selling out”.)

“The reorganization we’ve done has nothing to do with growth and users,” he told us. “We are on track to sell through more units as well as products at a higher average selling price this fiscal year. We’re selling out of Wands when we expected to have stock all the way to March. We have more pre-launch demand for the Kano PC than anything we’ve ever done.”

Of the additional co-branded Disney e-product which is being delayed — and may not now launch at all next year, Stein told us: “The fact is we’re in negotiations with Disney around this — and around the timing of it. Given that we’re not certain we’re going to be doing it in 2020 some of the contractor roles in particular that we brought on to do the licensing sign off pieces, to develop some of the content around those brands, some of the apparatus set up to manage those partnerships — we don’t need any more.”

“We introduced three new hardware SKUs this year. I don’t think we’ll do three new hardware SKUs next year,” he added, confirming the intention is to trim the number of device launches in 2020 to focus on the Kano PC.

One source we spoke to suggested Kano is considering sunsetting its partner strategy entirely. However Stein did not go that far in his comments to us.

“We’ve been riding a certain bear for a few years. We’re jumping to a new bear. That’s always going to create a bit of exhilaration. But I think this is a place of real promise,” was how he couched the pivot.

“I think what Kano does better than anyone else in the world is crafting an experience around technology that opens up its attributes to a wider audience,” Stein also said when asked whether hardware or software will be its main focus going forward. “The hardware element is crucial and beautiful and we make some of the world’s most interesting dynamic physical products. It’s an often told story that hardware’s very hard and is brutal — and yeah, because you get it right you change the fabric of society.

“It’s hard for me to draw a line between hardware and software for the business because we’ve always been asked that and seven years into the business we’ve found the greatest things that people do with the products… it’s always when there’s a combination of the two. So we’re proud that we’re good at combining the two and we’re going to continue to do it.”

The STEM device space has been going through bumpy times in recent years as early hype and investment has failed to translate into sustained revenues at every twist and turn.

The category is certainly filled with challenges — from low barrier to entry leading to plentiful (if varied quality) competition, to the demands of building safe, robust and appealing products for (fickle) kids that tightly and reliably integrate hardware and software, to checking all the relevant boxes and processes to win over teachers and support schools’ curriculum requirements that’s essential for selling direct to the education market.

Given so many demands on STEM device makers it’s not surprising this year has seen a number of these startups exiting to other players and/or larger electronics makers — such as Sphero picking up littleBits.

A couple of years ago Sphero went through its own pivot out of selling co-branded Disney ‘learn to code’ gizmos to zoom in on the education space.

While another UK-based STEM device maker — pi-top — has also been through several rounds of layoffs recently, apparently as part of its own pivot to the US edtech market.

More consolidation in the category seems highly likely. And given the new relationship between Kano and Microsoft an acquisition may be the obvious end point for the startup.

Per the Telegraph’s report, Kano is in the process of looking to raise more funding. However Stein did not comment when asked to confirm the company’s funding situation.

The startup last reported a raise just over two years ago — when it closed a $28M Series B round led by Thames Trust and Breyer Capital. Index Ventures, the Stanford Engineering Venture Fund, LocalGlobe, Marc Benioff, John Makinson, Collaborative Fund, Triple Point Capital, and Barclays also participated.

TechCrunch’s Ingrid Lunden contributed to this report 

16 Dec 2019

Intel buys AI chipmaker Habana for $2 billion

Intel this morning issued a statement noting that it has picked up Israeli AI chipmaker Habana labs. The deal, valued at around $2 billion, is the latest piece of some hefty investments in artificial intelligence that include names like Nervana Systems and Movidius.

In July, Habana announced its Gaudi AI training processor, which the Tel Aviv startup promised was capable of beating GPU-based systems by 4x. The company has been rumored to be a target for an Intel acquisition for a while now, as Intel looks to get out in front of the A.I. market. The company clearly doesn’t want to repeat past mistakes like missing the boat on mobile.

So far, the strategy looks like it just may pay off, giving Intel a marked advantage in a category it notes will be worth around $24 billion by 2024. In 2019 alone, Intel notes, the company expects to generate in excess of $3.5 billion dollars in “AI-driven revenue,” a 20% increase over the year prior.

“This acquisition advances our AI strategy, which is to provide customers with solutions to fit every performance need – from the intelligent edge to the data center,” Intel EVP Navin Shenoy said in a release tied to the news. “More specifically, Habana turbo-charges our AI offerings for the data center with a high-performance training processor family and a standards-based programming environment to address evolving AI workloads.”

For now, Intel expects to operate Habana as an independent business unit, keeping its current management team onboard, with operations still primarily based in Israel. Habana Chairman Avigdor Willenz will stay on to advise the companies.

16 Dec 2019

Cisco acquires ultra-low latency networking specialist Exablaze

Cisco today announced that it has acquired Exablaze, an Australia-based company that designs and builds advanced networking gear based on field programmable gate arrays (FPGAs). The company focuses on solutions for businesses that need ultra-low latency networking, with a special emphasis on high-frequency trading. Cisco plans to integrate Exablaze’s technology into its own product portfolio.

“By adding Exablaze’s segment leading ultra-low latency devices and FPGA-based applications to our portfolio, financial and HFT customers will be better positioned to achieve their business objectives and deliver on their customer value proposition,” writes Cisco’s head of corporate development Rob Salvagno.

Founded in 2013, Exablaze has offices in Sydney, New York, London and Shanghai. While financial trading is an obvious application for its solutions, the company also notes that it has users in the big data analytics, high-performance computing and telecom space.

Cisco plans to add Exablaze to its Nexus portfolio of data center switches. The company also argues that in addition to integrating Exablaze’s current portfolio, the two companies will work on next-generation switches, with an emphasis on creating opportunities for expanding its solutions into AI and ML segments.

“The acquisition will bring together Cisco’s global reach, extensive sales and support teams, and broad technology and manufacturing base, with Exablaze’s cutting-edge low-latency networking, layer 1 switching, timing and time synchronization technologies, and low-latency FPGA expertise,” explains Exablaze co-founder and chairman Greg Robinson.

Cisco, which has always been quite acquisitive, has now made six acquisitions this year. Most of these were software companies, but with Acacia Communications, it also recently announced its intention to acquire another fabless semiconductor companies that builds optical interconnects.

 

16 Dec 2019

Spotify debuts a new original podcast that looks back on the last decade in music

Spotify’s push into podcasts continues today with the launch of a new, 10-episode original series, “The Decade Wrapped,” that taps into insights and data from Spotify’s year-end Wrapped campaign to inform its episodes. Wrapped, of course, is Spotify’s annual look back at the biggest music trends during the year — or in 2019’s case, the decade — but personalized to individual users. “The Decade Wrapped,” however, pulls from the aggregate data Spotify has on what its users like to stream.

The topics for the new podcast include artists like Drake, Nicki Minaj, One Direction, Beyoncé, as well as other big trends, like Harlem Shake and “Despacito,” among others. These were chosen because of how much Spotify’s users were streaming these artists and songs throughout the years.

For example, Nicki Minaj’s most popular song “Bang Bang” has seen more than 730+ million streams; One Direction’s “What Makes You Beautiful” has reached 270+ million streams; Beyoncé’s “Halo” has more than 705 million all-time streams; Ariana Grande’s “thank u, next” saw 973+ million streams; Kendrick Lamar’s top song of all time, “Humble” has received more than 1.1 billion streams; Mark Ronson’s “Uptown Funk” hit more than 1.08 billion streams.

The hit song “Despacito” saw more than 1.3 billion all-time streams and “Gangnam Style” saw more than 205+ million streams since its debut in 2012.

The podcast will be hosted by Eric Eddings, who will be joined by critics, comedians, influencers, and writers, including Robin Thede, Hannah Bronfman, Lele Pons, and others. Together, they’ll look back on the music that defined pop culture in the decade.

The original podcast is the latest in a series of moves by the streamer to attract podcast listeners to its service. Most recently, it added a new way for users to discover podcasts, by allowing you to pick topics you like, then receive recommendations. It also added podcaster metrics to Wrapped, launched a personalized podcast playlist, added support for adding podcasts to your own playlists, and continually launches new and original series from Spotify Studios, as well as those from the studios it acquired, Gimlet and Parcast. 

The first three episodes are arriving today, December 16 in the U.S., while the rest will arrive daily over the course of the week, says Spotify. The full descriptions of the shows are here on Spotify’s site.

 

 

16 Dec 2019

Photoshop for iPad gains ‘Select Subject’ feature

Adobe’s Photoshop on the iPad got off to a rocky start that doesn’t seem to have left fans of the desktop version very happy, but the company looks intent on incorporating user feedback and releasing meaningful feature updates on a timely basis. Like today, for instance, it’s adding ‘Select Subject’ to the iPad version of Photoshop, which is a feature that should make working with photos and compositions on the Apple tablet much, much easier and more flexible.

Select Subject is a new feature that Adobe introduced last year to the desktop version, and offers one-tap selection of the subject of your image, as determined by Adobe’s Sensei AI engine to take all the manual work out of the process. This is one of the Photoshop tasks that people are used to doing manually using either pen input and freehand selection, or a combination of the Magic Wand, lasso and polygonal selection tools, all of which involve considerably more work.

Adobe says the 2019 version of Select Subject on iPad and on desktop provides better selection edges and works almost instantly, even on iOS. Behind the scenes, the feature is actually a bunch of different machine learning algorithms working together to make the selection, refine the selection, de-artifact the edge and more. The end result is that you can get a very usable subject cut out that allows you to easily recompose, or independently edit subject and background very quickly and with very little, if any, manual refinement required.

You’ll still get better, cleaner results with defined, continuous edges and high-contrast backgrounds, but Adobe says it’s working on improving Select Subject performance around things like hair and fur.

Meanwhile, Adobe also started rolling out improvements for its cloud documents feature, which was introduced alongside the public release of Photoshop for iPad and lets you work with PSDs across platforms via shared cloud-based storage. They’ve also tweaked the user interface with improvements to things like text entry and layer management.

Adobe still has a lot to do to make a convincing argument that it regards Photoshop for iPad as a flagship product on par with the desktop version, but these are steps in the right direction, and it looks like 2020 should bring a host of additional refinements and improvements, along with and iPad version of Illustrator and more.

16 Dec 2019

OneConnect’s drastic IPO value cut underscores the risk of high-growth, high-burn companies

OneConnect’s US-listed IPO flew under our radar last week, which won’t do. The company’s public offering is both interesting and important, so let’s take a few minutes this morning to understand what we missed and why we care.

The now-public company sells financial technology that banks in China and select foreign countries can use to bring their services into the modern era. OneConnect charges mostly for usage of its products, driving over three-quarters of its revenue from transactions, including API calls.

After pricing its shares at $10 apiece, the SoftBank Vision Fund-backed company wrapped last week worth the same: $10 per share.

One one hand, OneConnect is merely another China-based IPO listing domestically here in the United States, making it merely one member of a crowd. So, why do we care about its listing?

A few reasons. We care because the listing is another liquidity event for SoftBank and its Vision Fund. As the Japanese conglomerate revs up its second Vision Fund cycle (Vision Fund 2, more here), returns and proof of its ability to pick winners and fuel them with capital are key. OneConnect’s success as a public company, therefore, matters.

And for us market observers, the debut is doubly-exciting from a financial perspective. No, OneConnect doesn’t make money (very much the opposite). What’s curious about the company is that it brought huge losses to sale when it was pitching its equity. Which, in a post-WeWork world, are supposed to be out of style. Let’s see how well it priced.

What’s it worth?

OneConnect targeted a $9 to $10 per-share IPO price. That makes its final, $10 per-share pricing the top of its range. That said, given how narrow its range was, the result doesn’t look like much of a coup for the company. That’s doubly true when we recall that OneConnect lowered its IPO price range from $12 to $14 per share (a more standard price band) to the lower figures. So, the company managed to price at the top of its expectations, but only after those were cut to size.

When it all wrapped, OneConnect was worth about $3.7 billion at its IPO price according to math from the New York Times. TechCrunch’s own calculations value the firm at a slightly richer $3.8 billion . Regardless, the figure was a disappointment.

When OneConnect raised from SoftBank’s Vision Fund in early 2018, $650 million was invested at a $6.8 billion pre-money valuation according to Crunchbase data. That put a $7.45 billion post-money price tag on the Ping An-sourced business. To see the company forced to cut its IPO valuation so far is difficult for OneConnect itself, its parent Ping An, and its backer SoftBank.

Why so little?

I promised to be brief when we started, so let’s stay curt: OneConnect’s business was worth far less than expected because while it posted impressive revenue gains, the company’s deep unprofitability made it less palatable than expected to public investors.

OneConnect managed to post revenue growth of over 70 percent in the first three quarters of 2019, expanding top line to $217.5 million in the period. However, during that time it generated just $70.9 million in gross profit, the sum it could use to cover its operating costs. The company’s cost structure, however, was far larger than its gross profit.

Over the same nine-month period, OneConnect’s sales and marketing costs alone outstripped its total gross profit. All told OneConnect posted operating costs of $227.6 million in the first three quarters of 2019, leading to an operating loss of $156.6 million in the period.

The company will, therefore, burn lots of cash as grows; OneConnect is still deep in its investment motion, and far from the sort of near-profitability that we hear is in vogue. In a sense OneConnect bears the narrative out. It had to endure a sharp valuation reduction to get out. You can see the market’s changed mood in that fact alone.

Photo by Roberto Júnior on Unsplash

16 Dec 2019

Earth observation startup Capella Space will launch a seven satellite constellation in 2020

Capella Space is all set to begin commercial operations in 2020, with the launch of seven satellites that will provide synthetic aperture radar (SAR)-based imaging, which will provide its clients with extremely high-resolution imaging of Earth with extremely fast turnaround time, more power-efficient operation and higher quality than is currently available on the market from other small satellite-based solutions.

Backed by DCVC and Spark Capital, Capella says it has all the funding it needs to get its seven satellites launched and operational next year. The startup has also locked in deals with various U.S. government clients, including one with the U.S. Air Force. Its technology is a natural fit for defense applications, since it can capture high resolution data not only with greater quality than competitors, but also for longer spans – it can provide up to 10 minutes of active image capture per orbital path, which the company says is around 5x what its closest competitor can provide due to power consumption limitations.

In addition to government clients, Capella also has signed partnerships with key players in data delivery and ground-based relay, including Immarsat, Addvalue and AWS. These companies and the capabilities they provide will allow Capella to essentially offer real-time satellite tasking, which means that when a client asks it to point its imaging array at a specific location, that can do that immediately, “virtually latency free,” something it says it is unique in offering across the Easy observation industry. That’s an incredible competitive advantage – and it also says it’ll be able to actually collect and provide the resulting imaging from the satellites in as little as 30 minutes on average, which is also way below the industry average.

All told, Capella has lined up eight customers over the course of this past year, and they span a range of industries including not just defense, but also insurance, disaster relief, energy/oil and gas, urban development and maritime operations.