Category: UNCATEGORIZED

Last week, at TechCrunch’s robotics event at UC Berkeley, we sat down with four VCs who are making a range of bets on robotics companies, from drone technologies to robots whose immediate applications aren’t yet clear. Featuring Peter Barrett of Playground Global, Helen Liang of FoundersX Ventures, Eric Migicovsky of Y Combinator and Andy Wheeler of GV (pictured above), we covered a lot of terrain (no pun intended), including whether last-mile delivery robots make sense and how much robots should be expected to do without human intervention.

We also discussed climate change and how it factors into their bets, and why the many private enterprises focused on creating fully automated vehicles may need to do much more to empower the cities in which they plan to operate. You can find excerpts of our talk below; you can also watch the full conversation, along with the many other discussions that took place last week, right here.

For access to the full transcript of the panel, become a member of Extra Crunch. Learn more and try it for free. 

If you’re planning to attend TC Sessions: Mobility 2019 on July 10, then get ready to network like never before. And by that, we mean easily. TC’s day-long event — dedicated to the future of mobility and transportation — features discussions, demos and workshops with the brightest founders, technologists and investors in these industries.

With more than 1,000 people attending, a simple tool to help you connect with the right people would be awesome. We have just the thing for you. It’s called CrunchMatch and — even better news — it’s free.

CrunchMatch, TechCrunch’s business match-making service, helps you find and network with people based on specific mutual business criteria, goals and interests. Connecting with lots of people may be interesting, but connecting with the right people produces results. CrunchMatch’s automated platform can help you make the most of your limited time.

If you’re not already familiar with CrunchMatch, here’s how it works. Watch for an email to all ticket holders when CrunchMatch goes live. Fill out your profile with your specific details — your role (technologist, founder, investor, etc.) and who you want to connect with. CrunchMatch will make meet-up suggestions, which you can approve or decline.

Wonder if CrunchMatch delivers? Read how CrunchMatch helped Yoolox increase distribution. Save time, save shoe leather and use CrunchMatch for easier, more effective networking.

We can’t wait to see you in San Jose. If you haven’t purchased your ticket yet, do it now before the prices go up. Early-Bird Tickets are available for $195 — you save $100. Students can book a ticket for just $45 here.

Listen up, because we have even more ways to participate in TC Sessions: Mobility 2019.

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TC Sessions: Mobility 2019 takes place in San Jose, Calif. on July 10. Join your community, explore the future of mobility and transportation and make productive connections with the influential people who can help you reach your goals.

Airbnb is looking to book a place in the streaming media business. The company best known for its controversial marketplace of on-demand accommodations is now plotting a foray into becoming a production studio, according to a report in Reuters.

Tons of companies in Silicon Valley have taken to producing marketing features and print magazines as an exercise in branding, but Airbnb is reportedly looking to take this a step further.

The company already has a glossy magazine published by Hearst, and according to the Reuters report, that effort will be central to the company’s media plans going forward.

Video seems to be the next playground for big companies flush with cash that want to differentiate themselves in the market. Apple has a streaming service it intends to launch, Amazon already does, and Walmart has one, too.

With its built-in user base of 500 million travelers, the company told Reuters that it already has partners that want to partner on productions.

Airbnb has already made one series for Apple. It’s a documentary series called “Home” that features quirky homes from around the world and the owners that built them. It’s also got another documentary production in the works, “Gay Chorus Deep South,” which records the travels of San Francisco’s Gay Men’s Chorus as it takes a trip through the “Deep South,” Reuters reported.

“We’re very much in the R&D phase here. It’s not just limited to video. It could be audible. It could be physical,” Airbnb spokesperson Chris Lehane, told Reuters. “The more we put content out there, the more you’re going to bring people to the platform.”

If nothing else, the Airbnb shows could raise the visibility of the service among a new audience that’s reluctant to book time in strangers’ homes.

Just don’t expect to see any exposés about the company’s problem with hidden cameras or its complicated relationship with cities and the neighborhoods that have been transformed through its business.

Braille is a crucial skill for children with visual impairments to learn, and with these LEGO Braille Bricks kids can learn through hands-on play rather than more rigid methods like Braille readers and printouts. Given the naturally Braille-like structure of LEGO blocks, it’s surprising this wasn’t done decades ago.

The truth is, however, that nothing can be obvious enough when it comes to marginalized populations like people with disabilities. But sometimes all it takes is someone in the right position to say “You know what? That’s a great idea and we’re just going to do it.”

It happened with the BecDot (above) and it seems to have happened at LEGO. Stine Storm led the project, but Morten Blonde, who himself suffers from degenerating vision, helped guide the team with the passion and insight that only comes with personal experience.

In some remarks sent over by LEGO, Blonde describes his drive to help:

When I was contacted by the LEGO Foundation to function as internal consultant on the LEGO Braille Bricks project, and first met with Stine Storm, where she showed me the Braille bricks for the first time, I had a very emotional experience. While Stine talked about the project and the blind children she had visited and introduced to the LEGO Braille Bricks I got goose bumps all over the body. I just knew that I had to work on this project.

I want to help all blind and visually impaired children in the world dare to dream and see that life has so much in store for them. When, some years ago, I was hit by stress and depression over my blind future, I decided one day that life is too precious for me not to enjoy every second of. I would like to help give blind children the desire to embark on challenges, learn to fail, learn to see life as a playground, where anything can come true if you yourself believe that they can come true. That is my greatest ambition with my participation in the LEGO Braille Bricks project

The bricks themselves are very like the originals, specifically the common 2×4 blocks, except they don’t have the full 8 “studs” (so that’s what they’re called). Instead, they have the letters of the Braille alphabet, which happens to fit comfortably in a 2×3 array of studs, with room left on the bottom to put a visual indicator of the letter or symbol for sighted people.

It’s compatible with ordinary LEGO bricks and of course they can be stacked and attached themselves, though not with quite the same versatility as an ordinary block, since some symbols will have fewer studs. You’ll probably want to keep them separate, since they’re more or less identical unless you inspect them individually.

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All told the set, which will be provided for free to institutions serving vision-impaired students, will include about 250 pieces: A-Z (with regional variants), the numerals 0-9, basic operators like + and =, and some “inspiration for teaching and interactive games.” Perhaps some specialty pieces for word games and math toys, that sort of thing.

LEGO was already one of the toys that can be enjoyed equally by sighted and vision-impaired children, but this adds a new layer, or I suppose just re-engineers an existing and proven one, to extend and specialize the decades-old toy for a group that already seems already to have taken to it:

“The children’s level of engagement and their interest in being independent and included on equal terms in society is so evident. I am moved to see the impact this product has on developing blind and visually impaired children’s academic confidence and curiosity already in its infant days,” said Blonde.

Danish, Norwegian, English, and Portuguese blocks are being tested now, with German, Spanish and French on track for later this year. The kit should ship in 2020 — if you think your classroom could use these, get in touch with LEGO right away.

As the Kleiner Perkins empire crumbles, Mary Meeker builds her own.

The author of the Internet Trends Report has $1.25 billion in capital commitments for her debut growth fund, Bond Capital, as first reported by Axios and confirmed to TechCrunch by a source close to the firm.

Bond Capital has declined to comment.

Meeker spun-out from the Kleiner Perkins growth investing practice in September 2018 to form Bond after an internal power struggle between her and Mamoon Hamid, who joined Kleiner in 2017 from Social Capital, left no other option. According to a recent Fortune feature on the formerly revered venture capital firm, Kleiner recruited Hamid to refuel the firm’s early-stage efforts but his purported plan to increase the size of the early-stage funds’ stakes was a step too far onto Meeker’s turf.

“Hamid, say Kleiner insiders, saw himself as helping; Meeker’s team viewed Hamid’s offers as meddling,” Fortune writes.

Meeker, in her Kleiner tenure, was responsible for several of the firm’s most-prized investments, including Airbnb, Uber, Houzz, Slack, Peloton and, more recently, fintech platform Plaid and subscription lifestyle brand FabFitFun. She holds stakes in those high-performing companies via Kleiner’s funds, not through Bond, which has yet to deploy capital, per a source.

Meeker continues to invest out of Kleiner Perkins’ Digital Growth Fund III, a $1 billion vehicle that closed in 2016. Now that Bond has the capital to invest too, Meeker will be busy backing startups with capital from both investment vehicles.

In her new effort, Meeker is joined by Kleiner’s entire former growth practice: Mood Rowghani, Noah Knauf and Juliet de Baubigny, all of whom are general partners in the debut fund.

With Bond, Meeker makes history in launching the first female-founded, female-led venture capital fund to cross the billion-dollar threshold. She is, however, one of several former Kleiner GPs to raise her own fund. Aileen Lee stepped out on her own to form Cowboy Ventures in 2012, Trae Vassallo launched Defy Partners in 2016 and last year Beth Seidenberg raised $320 million in September for Westlake Village BioPartners.

Meeker joined Kleiner Perkins in 2010 after two decades as a managing director at Morgan Stanley. As a well-established Wall Street tech analyst, she quickly rose the Silicon Valley ranks to become one of the few women to earn a GP title at Kleiner in an industry where women have traditionally been shut out from the highest roles.

Her exit from Kleiner, a firm that has been for decades worshipped by founders, damages a brand already suffering from a slew of high-profile exits and a pivot to renewable energies from which the firm never fully recovered.

Kleiner, however, continues to double down on its early-stage efforts under Ilya Fushman, a former investor at Index Ventures, and Hamid’s lead. Earlier this year, the firm closed on $600 million for seed, Series A and Series B-focused funds.

“The environment for venture has evolved — with larger checks being written for seed and A rounds and more support from partners required to build companies — demanding a high degree of specialization and extreme focus to excel,” a spokesperson for Kleiner Perkins said in a statement provided to TechCrunch following Meeker’s exit. “The changes in both areas have led to less overlap between venture and growth and creating two separate firms with different people and operations now makes sense.”

Pinterest is a great place to find digital art but a terrible place to sell it. The fact that anything online is infinitely copyable makes it tough for artists to establish a sense of scarcity necessary for their work to be perceived as valuable. Yash Nelapati saw this struggle up close as Pinterest’s first employee. Now he’s started MakersPlace, where creators can generate a blockchain fingerprint for each of their artworks that proves who made it and lets it be sold as part of a limited edition.

Similar to Etsy, MakersPlace allows artists to sell their creations while the startup takes a 15 percent cut. Collectors receive a non-fungible cryptocurrency token connoting ownership of a limited edition digital print of the artwork that they can store in their own crypto wallet or in one on MakersPlace. The MakersPlace site officially launches today after a year of beta testing.

“At Pinterest, we noticed that there are millions of digital creators that are spending countless hours creating digital artwork, but they struggle with basic things like attribution” says MakersPlace co-founder Dannie Chu who spent six years leading growth engineering at Pinterest. “Their work is getting printed, copied, shared, and ultimately they make very little money from it being put online. If you can’t create a sustainable model for digital creators to create, you’re not going to have art.”

If software is eating art, Uncork Capital wants a seat at the dinner table. It’s led a $2 million seed round for MakersPlace joined by Draper Dragon Fund and Abstract Ventures plus angels from Pinterest, Facebook, Zillow and Coinbase. They see the crypto-tokenized digital photo of a rose that sold for $1 million last year as just the start of a thriving blockchain art market. “That was a lightbulb moment for us. People are actually valuing digital creations like physical creations” says Chu.

Hiscox estimates there were $4.64 billion in online art sales (though mostly of traditional offline art) in 2018 compared to Art Basel’s estimate of $67.4 billion in total art sales for the year. MakersPlace could be well-positioned as more art is sold online and more of it becomes truly digital. “MakerPlace has already partnered with thousands of incredible digital artists selling their unique artwork, a testament to the easy-to-use platform they’ve built” said Uncork Managing Partner Jeff Clavier. “They’ve also created a seamless and fun, one-stop-shop for discovering and collecting digital artwork,”

The startup’s technology is designed so artists fingerprinting their work don’t need extensive blockchain experience. They just upload it to MakersPlace before sharing it elsewhere, verify their identity through an integration with Civic where they take a photo holding their driver’s license, and an Ethereum-based token is generated with the creator’s name, the art’s name, its impression and edition number, and the date. An Ethereum token name, ID, contract ID, and creator’s ID are all assigned so there’s a permanent record of authorship.

Art collectors can browse MakersPlace’s categories for animation, photography, drawings, pixel art, and 3D creations; explore recent and popular uploads; or search by specific artist or art piece. They can buy art with a credit card or with Ether; use, display, or distribute it for non-commercial purchases; or resell it on the secondary market. MakersPlace assumes no ownership of the art it hosts.

One major concern is that artists unaware of MakersPlace might have their works fraudulently fingerprinted and attributed to a thief. Chu says that “We use a mix of website, email and identity verification services to do this (we use civic.com) . This is a strong deterrent to uploading and establishing attribution for stolen digital creations.” But you could still imagine the headache for less tech savvy artists if their creative identity gets hijacked.

There’s plenty of other blockchain entrants into the art world, from Blockchain Art Collective‘s NFC stickers for registering physical art to artist tipping platform ArtByte. Many startups are trying to solve the art attribution problem including Monegraph, KnownOrigin, Bitmark, CodexProtocol, Artory, and more. MakersPlace will have to hope its talent, Silicon Valley funding, and focus on digital works will differentiate it from the pack.

As we move to a culture where so many of things that represent our identity from photographs to music have become endlessly replicable, the concept of possession has lost its meeting. Yet we’re still hoarders deep down, scared not having enough. “Collecting is an innate human behavior, but as people become more urban, mobile, and minimalist, physical keepsakes have become less appealing,” said  Nelapati concludes. “Our mission is to create a platform that incentivizes creators by giving them ownership over the work they produce.”

[Featured Image: bunny style by Chocotoy]

Over the course of the last year or so, Google started adding more job search features to its search engine. Today, it’s expanding this program by also making it easier to find work-from-home jobs.

Typically, when you searched for a job like that, chances are you’ll be bombarded with a bunch of low-quality or even potentially malicious sites. Now, when you search for a job in Google Search using a query like ‘customer support jobs,’ you’ll be able to set the location to ‘work from home’ to find remote and telecommute jobs. Google says that a number of job listing sites, including Working Nomads, We Work Remotely and ZipRecruiter already support this feature. To filter these jobs, Google looks at the standard Schema.org markup that most job sites use to push their listings to Google Jobs.

“Through a number of user studies, we learned that most remote jobs were not clearly labeled as such,” Google product manager Jennifer Su writes in today’s announcement. “And our customers have told us it is difficult to accurately detect and return remote opportunities when users enter ‘work from home’ or related queries into their search box. By offering this capability to our customers, we hope to make remote work opportunities more discoverable to job seekers who need them.”

Google already lets job searchers filter by commute times and type of transit, so it makes sense to add this work-from-home option, too, especially now that more employees are looking for this kind of flexibility.

Dating apps are finally leveraging AI to clean up users’ chat messages. Badoo has introduced a new feature coming to its network of dating apps, including most notably, Bumble.

The penile detecting “Private Detector” feature will leverage deep learning to identify dick pics and other inappropriate photos and label them as such in chat, giving users the option to view the photo or report the user.

It’s great that they’ve introduced this but this isn’t exactly a cutting edge deep learning application here, this is something that realistically could have introduced a while ago, but Badoo CEO Andrey Andreev opted to have his team build the tech in-house. The company claims 98% accuracy in detecting illicit pics.

The company already had a low-tech option in place here where any photo being sent in chat would be blurred and the receiving user had to manually open the picture. While the context of the conversation could be a guide to whether they wanted to open the photos, sometimes context isn’t very strong when it comes to unsolicited dick pics.

The new feature does very much fit into something Bumble CEO/founder Whitney Wolfe Herd has been promoting when it comes to making a dating app that’s safe for women and leads to less harassment. Wolfe Herd has started approaching the issue of unsolicited illicit photos from a legislative track as well. Wolfe Herd has been working with the Texas state legislature to pass a bill that makes it illegal to send clearly unsolicited lewd photos. Bumble is based in Austin, Texas.

The company says that since this is largely leaning on their tech stack, they don’t foresee any need to add more people to their content review team.

The “Private Detector” functionality goes live in June on Bumble as well as on Badoo, Chappy and Lumen.

Microsoft has proposed scrapping a policy in Windows that requires users to periodically change their login password.

In a blog post, the software giant said its new draft security configuration baseline settings would no longer force users whose accounts are controlled by a network’s group policy to change their passwords every few weeks or months.

Microsoft’s draft security baseline documents includes recommended policies that affect entire groups of users on a corporate network, including rules that limit certain features and services to prevent misuse or abuse, as well as locking down certain functions that could be used by malware to attack the system or network.

The company said that the existing password change policy is an “ancient and obsolete mitigation of very low value,” and the company doesn’t “believe it’s worthwhile” any longer.

Here’s what Microsoft’s Aaron Margosis said:

Periodic password expiration is a defense only against the probability that a password (or hash) will be stolen during its validity interval and will be used by an unauthorized entity. If a password is never stolen, there’s no need to expire it. And if you have evidence that a password has been stolen, you would presumably act immediately rather than wait for expiration to fix the problem.

If it’s a given that a password is likely to be stolen, how many days is an acceptable length of time to continue to allow the thief to use that stolen password? The Windows default is 42 days. Doesn’t that seem like a ridiculously long time? Well, it is, and yet our current baseline says 60 days – and used to say 90 days – because forcing frequent expiration introduces its own problems. And if it’s not a given that passwords will be stolen, you acquire those problems for no benefit. Further, if your users are the kind who are willing to answer surveys in the parking lot that exchange a candy bar for their passwords, no password expiration policy will help you.

By removing it from our baseline rather than recommending a particular value or no expiration, organizations can choose whatever best suits their perceived needs without contradicting our guidance. At the same time, we must reiterate that we strongly recommend additional protections even though they cannot be expressed in our baselines.

In other words, Microsoft wants to put a premium on using strong, long, and unique passwords and not on regularly changing them.

Not only does changing passwords every few weeks or months frustrate the regular user, it’s been suggested that it actively do more harm than good. Former Federal Trade Commission chief technologist Lorrie Cranor said in a 2016-dated blog post that forcing users to change their passwords every so often can result in weaker passwords.

“Researchers also point out that an attacker who already knows a user’s password is unlikely to be thwarted by a password change,” she wrote. “Once an attacker knows a password, they are often able to guess the user’s next password fairly easily.”

Not long after, the National Institute of Standards and Technology (NIST), which advises the federal government on cybersecurity practices and policies, revised its own advice to remove policies that mandate periodic password changes.

Bill Burr, the since-retired NIST manager who developed the 2003-dated policy that recommended password expiration policies, expressed regret in a 2017 interview about the policy, saying the rule “actually had a negative impact on usability.”

Although Microsoft’s proposals are still in draft, if passed they could be rolled out in Windows 10’s May Update, expected next month.

In the future, everyone will have a podcast — and by “future,” I mean like mid-2020. But one step at a time, starting with Facebook founder, CEO and definite human person, Mark Zuckerberg .

Facebook announced the podcast’s Spotify link on Twitter. How’s that for platform synergy? The rather dryly named “Tech and Society With Mark Zuckerberg” will feature, well, conversations on tech and society with Mark Zuckerberg. Honestly, folks, it’s right there in the name.

“Hey everyone,” Zuck says, opening the second of two posted episodes. “This year I am doing a series of public discussions on the future of internet and society,” referring to what looks to be a finite lineup of episodes. The executive explains in the first episode that show constitutes this year’s “personal challenge,” an annual homework assignment that has resulted in things like Zuckerberg learning Mandarin and writing a home AI.

The first episode features an interview with Harvard professor Jonathan Zittrain about technology and the law, while the second conversation with Mathias Dopfner of Axel Springer SE explores journalism. Obviously both have become key points for Facebook in the previous year — though not always under the most ideal circumstances.

At very least, it offers a rare and sustained look at one of technology’s top executives that doesn’t involve drinking glasses of water in front of Congress. And who knows, maybe Zuckerberg and Facebook will learn a little about themselves along the way.