[Warning: The following contains SPOILERS for Far Cry 6.]
While Far Cry 6 has issues of its own, a narrative choice made for its ending could fix Far Cry 3’s biggest mistake. Far Cry 3's campaign follows protagonist Jason Brody attempting to save his friends on the Rook Islands. Players soon meet a twisted, charismatic villain named Vaas Montenegro, whose "definition of insanity" monologue has continuously appeared throughout the franchise. However, Vaas seemingly dies approximately halfway through the game and is replaced by a far less compelling antagonist.
Far Cry 6’s continuity has been a matter of some conjecture. Before the game’s release, some players speculated Diego Castillo, son of villainous dictator Anton Castillo, was a young version of Vaas. This theory proved untrue, as Diego meets a tragic fate during the game’s final confrontation. Thankfully, it seems Vaas does return: Though players never see his face, his voice is unmistakably that of the "Smuggler" in Far Cry 6’s ending.
Far Cry 6 is also not a prequel to Far Cry 3 in any fashion, as newspapers and current events place the game in 2020. Similarly, Far Cry 3 features newspapers and radio shows that place it during 2012. Vaas' apparent survival suggests several things about the continuity of the franchise; while it’s possible Far Cry 6 could be an alternate universe or retcon, it’s also possible Vaas never died at all. Vaas’ death occurs while Jason is under the influence of Far Cry 3's hallucinogenic drugs and strange magics that are never fully explained, meaning the character could have been alive this whole time.
Though Vaas is ultimately Far Cry 3’s secondary antagonist, his actions are a direct catalyst to the story. What begins as a tropical getaway for several Californian partygoers spirals into a nightmare, as they are kidnapped and held for ransom by the Rook Islands’ local pirates. The first pirate to directly interact with Jason, Vaas' mental state is revealed through swift, irrational dialogue. His unpredictability and the frequent showdowns between him and Jason craft an exhilarating rivalry, but it's brought to a somewhat disappointing conclusion. After being stabbed by Vaas, players explore a strange hallucination through a drug-addled haze, fighting multiple copies of Vaas before eventually stabbing what seems to be the real version of him in the chest. As Jason loses consciousness, Vaas’ eyes stare directly at the camera one last time.
After his supposed death, Vaas never reappears in Far Cry 3's campaign, despite his connections to Cintra (another antagonist and Vaas’ sister) and Jason. Instead, Hoyt Volker replaces Vaas. Also referred to as The Tyrant, Hoyt is a South African crime lord who oversees a human trafficking operation in the Rook Islands with a crew of privateers. He fails to live up to Vaas' charisma, however, so what was supposed to be Far Cry 3’s big bad turns into its biggest disappointment. Far Cry fans who recently joined the franchise almost certainly know of Vaas, but Hoyt’s legacy died with him.
Though Vaas's appearance in Far Cry 6’s campaign was surprising, the character’s return wasn’t wholly unexpected. Before the game’s launch, Ubisoft announced players would finally have the opportunity to play as some of the franchise’s beloved villains in a trio of Far Cry 6 DLC episodes. The first, titled Insanity, is undoubtedly referring to Vaas’ insanity monologue and is scheduled for a November release.
The greatest strength of Far Cry has always been its villains, whose twisted philosophies and actions torment the games' protagonists. With the villain-oriented DLCs, Ubisoft is finally utilizing its strongest element to give players a side of the series they haven't seen before, all the while diversifying gameplay. Adventures centered around depraved individuals previously praised for their intrigue provide a unique storytelling opportunity, whereas many players' complaints about Far Cry 6 say it has a stale story with predictable dialogue and outcomes. Perhaps' Vaas' return in the game's main ending could signal a pursuit of this angle in content beyond just DLC.
Ubisoft has given players many choices during Far Cry's endings of the past, often deciding the fate of the villain and the game's central conflict. Far Cry 3 let Jason save his friends or kill them, fully embracing the chaos of his actions in the jungle. However, Far Cry 6 lacked this choice and cemented a traditional, undisputable ending. If Far Cry 6 is the beginning of a new continuity for the series, this is the opportunity for a true canon to be determined - and Vaas' return is evidentially a part of that. Further Far Cry 6 development is planned into 2022, so future DLC could see Vaas get a greater role. That, or Ubisoft might just deliver a playable Vaas in a full, brand-new Far Cry game.
The first full look at Ezra Miller's costume in The Flash has been revealed. Miller reprises the role of Barry Allen/The Flash in the first live-action standalone film for the character. Miller first appeared as The Flash in a brief tease in Batman V Superman: Dawn of Justice, then made his full debut in Zack Snyder's Justice League, introducing him into the DCEU proper. He also had a blink-and-miss-it cameo in David Ayer's Suicide Squad. The actor also appeared in costume for an episode of CW's The Flash, where he met that version of the character, played by Grant Gustin.
Director Andy Muschietti directs The Flash, which serves not only as the first live-action feature for The Flash, but also brings back one of the original DC actors in Michael Keaton's Batman/Bruce Wayne, who previously starred as the character in 1989's Batman and 1992's Batman Returns. Keaton's return marks the beginning of the DCEU's venture into the multiverse, which will have the old Batman team-up with The Flash and potentially with the Snyderverse Batman, played once again by Ben Affleck in the film. For Miller, this marks a more in-depth look at his character, as well as a sprucing up of his iconic costume.
Now, the first full look at the costume is here, after a number of teases since last year's DC FanDome. For today's event, The Flash showed off a brief teaser that revealed Ezra Miller in the new costume, which has the glowing lines throughout and gold boots. The tease features voice over from Michael Keaton's Batman and delves into the multiverse aspect of the film, eventually showing Miller in the famed Batcave from the Tim Burton Batman films, as well as a brief look at Keaton's Batman in silhouette. A look at Sasha Calle as Supergirl is also seen in the Batcave alongside The Flash, meaning that at least those three characters will interact in the film. Take a closer look at the images below:
WARNING: This article contains SPOILERS for Venom: Let There Be Carnage!
The post-credits scene for Venom: Let There Be Carnage transported the tongue-slavering symbiote into the MCU and set up a potential role in Spider-Man: No Way Home - and it could be through the "Nexus" events introduced in Loki. There's long been intense interest in the idea of Tom Hardy's Venom and Tom Holland's Spider-Man coming head-to-head. Now, finally, those hopes and dreams look set to become a reality.
Marvel movies have long been renowned for their post-credits scenes, but Venom: Let There Be Carnage's is one of the best yet in that it leaves so many questions unanswered. Eddie Brock finds himself unwittingly transported through the Multiverse, arriving to watch a news broadcast in which J. Jonah Jameson ranted about Spider-Man's secret identity during Venom: Let There Be Carnage's post-credits scene. It's safe to assume this ties in directly to Spider-Man: No Way Home, which promises to transport a number of Spider-Man villains into the MCU as a result of a magic spell gone wrong. There have long been reports of a hidden sixth enemy, and it looks as though Venom is set to fit the bill.
But exactly how has Venom jumped from one dimension to another in the first place? In truth, Marvel is still making up their minds about how their Multiverse works. They determined the rules only after producing a number of films and TV shows based upon it. However, the basic principles may already have actually been explained in Loki.
It's long been clear that the concept of "nexus" events and beings is key to the MCU's Phase 4 slate. According to Loki, a nexus event is a moment where a single act can create an entirely different branching timeline in the multiverse. Nexus events can be created by major actions or minor ones - by someone starting a civil war that wasn't part of the main timeline, or simply being late for work. The Time Variance Authority attempted to prevent the multiverse by pruning all these branches, but they ultimately failed, and now anything is possible in multiversal terms. But the multiverse introduced in Loki is actually more complicated than most viewers realize. Loki director Kate Herron pointed to one shot of the multiverse as it sprang into being, and noted the various branches intersect in quite dramatic ways (as per Murphy's Multiverse):
"So, there's the branches, right, which is like the alternative reality. But then something, you'll see it, it's very subtle but in the very last shot where you see the Multiverse, there's like basically other bigger physical timelines branches. So, it's almost like these different separate trees that are now connecting... It's almost like a bridge. If you imagine the branch, it is like another reality. But if the branch extends beyond a certain point, it will then connect to other physical timelines... That last shot we did, there are other like thicker [branches] that are meant to be like our timeline. And there are other timelines like that and the branches are the connectors basically."
Herron seems to be suggesting there are actually two types of intersections between different branches in the MCU multiverse; one where the branches are created, or ones where they connect to one another. In the most dramatic cases, this could potentially lead to a collision of entire realities - the kind of thing seen in the comics in the build-up to Jonathan Hickman's Secret Wars event, where all the various universes collided. In less spectacular cases, though, a connection between the two branches could be brief, unobserved by most, but it would potentially allow people to inadvertently travel from their home branch to a reality very unlike the world they grew up in. The latter type of nexus sounds exactly like what Venom experiences in Venom: Let There Be Carnage's post-credits scene, where Eddie Brock suddenly finds himself transported into a very different bedroom.
This may explain what has gone wrong with Doctor Strange's spell in Spider-Man: No Way Home. As confirmed by the trailer, Spider-Man seeks Doctor Strange's help in the hopes the future Sorcerer Supreme can make the world forget his secret identity. Although Doctor Strange claims his spell is simply one to erase memories, it must be much more far-reaching than that; after all, not only does Strange need to make people forget, he also needs to remove all records of Spider-Man's secret identity. This explains why Doctor Strange's spell is affecting the fabric of reality itself, and why - when Peter Parker disrupts it - it backfires badly.
But how exactly does the spell work? It is possible Doctor Strange has inadvertently drawn multiple branching timelines into contact with the MCU, creating a dimensional intersect that is centered around Spider-Man - explaining why so many of the characters jumping realities are associated with different versions of Spider-Man. Even Venom seems to have a loose connection to the wall-crawler, with dialogue in Venom 2's post-credits scene suggesting the symbiote hive mind transcends the Multiverse, meaning Eddie Brock's symbiote could well have retained animosity towards Peter Parker from the symbiote encountered in Spider-Man 3. This would explain why various characters from other Marvel/Spider-Man movie universes have been transported into the MCU.
Marvel Studios has a reputation for long-term planning, but when it comes to the Multiverse they seem to be figuring things out as they go along; in July this year, Marvel Studios president Kevin Feige revealed they'd only recently held a meeting deciding the Multiverse's rules, even though several films and TV shows focused around the concept were already in, or approaching, post-production. This may well mean Spider-Man: No Way Home avoids any explicit explanation of exactly how Doctor Strange's spell has backfired, simply settling for confirming it has done so and leaving it to viewers to figure out how; but if that is the case, Venom: Let There Be Carnage's post-credits scene suggests the nexus events introduced in Loki would explain it nicely.
Erin Greene's baby appears to meet a tragic end in Netflix's Midnight Mass, but the show could be hiding a twist in its vampire lore. Midnight Mass puts a new spin on vampire stories. In the show, a charismatic young priest named Father Paul (Hamish Linklater) arrives on Crockett Island and immediately makes things terrible. In reality, Father Paul is secretly Crockett Island's former spiritual leader, Monsignor Pruitt, and ingesting blood from a vampire restored his youth. Pruitt brought the vampire with him to the island, thinking it was an angel, and the creature is different enough from a traditional vampire that many of his congregation buy into the idea. Because the vampire restored Pruitt's life, the priest is on a mission to distribute vampire blood to the entire island and save his former parish. Though things start promisingly, with the vampire blood restoring the town and healing illnesses, things quickly go awry.
Midnight Mass doesn't directly connect to The Haunting of Hill House or The Haunting of Bly Manor. Still, the show does borrow several elements from creator Mike Flanagan's previous Netflix series. For instance, several actors return. Kate Siegel (Hill House, Bly Manor) plays Erin Greene, a mother-to-be escaping from an abusive past; Rahul Kohli (Bly Manor) plays Sheriff Hassan, a Muslim man whose promising career is destroyed by discrimination; and Samantha Sloyan (Hill House) plays Bev Keane, a possibly sinister member of St. Patrick's Church. Additionally, Midnight Mass brings back several story beats from the previous shows, such as having one character, Riley Flynn (Zach Gilford), become physically haunted by his past mistakes.
Though Midnight Mass season 1 seems to tell a complete story, the show may also hide the mother of all twists. At the beginning of the series, Erin Greene is pregnant and regularly visits the doctor to check on her baby. However, after receiving the vampire blood through Holy Communion at Mass, her baby suddenly disappears from her uterus. Dr. Sarah Gunning (Annabeth Gish) can't explain the sudden disappearance and even shows Erin the ultrasound image, revealing her empty uterus. Later, another doctor tells Erin that it doesn't look like she's been pregnant at all. After learning about the mysterious healing effects of vampire blood on Crockett Island's residents, Dr. Gunning believes that the blood destroyed Erin's baby. According to Dr. Gunning, a fetus is like an "alien presence" in the body, and the blood likely acted aggressively towards it. However, there may also be another explanation: Erin's baby never went anywhere.
Erin's baby didn't die; it was just undetectable because it was a vampire. In vampire lore, the creatures often don't show up in photos, which could explain what's happening with Erin's missing baby. It was in Erin's uterus the whole time, but the ultrasound machine simply couldn't detect its vampiric presence. After all, during the appointment where Dr. Gunning can't find the baby, Erin says her future kid was kicking as usual. According to Erin, the baby kicks "like a butterfly with little feet," and she didn't notice any difference in the last 24 hours before the appointment. So if the baby is still moving, it's probably there. Medical equipment just wasn't designed to check up on vampires.
The theory isn't perfect. After all, ultrasound machines don't work like cameras. Instead, they use sound to create an image, so even a vampire fetus could potentially appear. Plus, Erin truly believes she lost the baby in the show. However, Midnight Mass plays around with its vampire rules. For instance, the vampire in the show doesn't even have fangs. And other vampire shows, such as the British series Ultraviolet, have shown that the creatures can be invisible to electronic devices. So given all the evidence, the theory—and Erin's baby—could be alive and kicking.
New concept art for the Blue Beetle movie shows off the DC hero's costume. Blue Beetle is a character that originated in Charlton Comics, later making the jump over to DC Comics during Crisis on Infinite Earths. The superhero gets his powers from an ancient mystical scarab that grants the user the Blue Beetle armor and has a number of superhero features. Jaime Reyes is the most recent Blue Beetle, a Latinx teenager who discovers the scarab in a vacant lot and uses the armor to fight crime in his hometown. He eventually becomes a full-fledged hero, joining the Teen Titans and continuing the legacy of his predecessors.
Cobra Kai's Xolo Maridueña recently took the lead role as Reyes for the Blue Beetle feature film, which is his first major film role after the success of the show. Maridueña is being directed by Angel Manuel Soto (Charm City Kings) with a script by Gareth Dunnet-Alcocer (Miss Bala). Soto said of the casting of Maridueña that "His persona is pretty much the character of Jaime Reyes. It was a natural fit.” The film is set to be released on HBO Max sometime in 2022.
During DC FanDome, Maridueña, Soto and Dunnet-Alcocer sat down for a brief conversation about the upcoming film and shared a first look at the costume via new concept art. The costume looks very comic accurate, but with an updated, cinematic spin. Another interesting note is the "Kord Industries" sign in the background, which is a nod to Ted Kord, the character who previously held the Blue Beetle Armor. Maridueña said that he challenged any DC Hero's costume to best the Blue Beetle's and talked about his excitement for the project, saying, "I’m ready, we’re gonna shake things up and we’re gonna bring you guys a story you haven’t seen before." Check out the concept art below:
HBO Max's Peacemaker trailer was revealed at DC FanDome - and here's a full breakdown of everything revealed. Played by John Cena, Peacemaker made his DCEU debut in James Gunn's The Suicide Squad. Although Peacemaker considers himself a superhero, he still wound up in Belle Reve - presumably for killing the wrong people. Amanda Waller will have been delighted to get her hands on Peacemaker, because she could be confident he'd obey orders - especially if he felt those orders protected America's reputation.
The Suicide Squad may not grossed as much as Warner Bros. hoped, but they nevertheless greenlit a spinoff TV series set up in The Suicide Squad's post-credits scene, helmed by James Gunn himself. This is the first TV series to take place in the DCEU, meaning the franchise is once again imitiating the MCU by embracing the potential of transmedia. But Peacemaker has a very different tone and style to anything in the Marvel Cinematic Universe; indeed, the only thing tonally similar to it in the DCEU is Gunn's The Suicide Squad.
DC released a full trailer for Peacemaker at the DC FanDome event, giving a taste of the brutal vigilante's ongoing story - and hinting he may not be fighting on the side of the angels after all. It's full of humor, introduces a number of new characters, and features just as many gunshots as you'd expect. Here's our full breakdown of the Peacemaker trailer.
The opening scene in the Peacemaker trailer reveals the story picks up straight from the end of The Suicide Squad. Although Peacemaker considers himself a superhero, in reality he was the one who turned on the rest of the team - and he almost died as a result. He's still in hospital, and he can't resist telling a random cleaner about his being a hero; he doesn't get the reaction he expects. This serves as the perfect setup for the Peacemaker series, given realistically he's the last person any comic book reader would have expected to get their own show.
The Peacemaker trailer moves on to show Peacemaker training with Vigilante, his brother-in-arms. Played by Freddie Stroma, Vigilante is a district attorney who fights crime with the law by day, before taking the law into his own hands by night. He's often teamed up with Peacemaker in the comics, and the two appear to have the same kind of skillset. It wouldn't be a surprise to see Peacemaker ultimately end in the two going head-to-head, with Peacemaker forced to take down his one true friend.
The Peacemaker trailer moves on to establish its basic premise, Peacemaker's central mission; to perform black ops missions on behalf of Amanda Waller's team, and in doing so to stay out of prison. This is a logical extension of Task Force X, and in part it's been put together by Waller to punish members of her team who rebelled during The Suicide Squad. This particular project is led by Clemson Murn, a mercenary hired by Waller because of his specific skillset. It's likely Waller believes he possesses the skills to take Peacemaker out if necessary.
Emilia Harcourt is the NSA agent who led the rebellion against Amanda Waller in The Suicide Squad, and she's now Peacemaker's handler. In the comics, she was a terrorist who infiltrated ARGUS and took control of Task Force X; she was eventually killed by Waller, who had carefully manipulated events to expose Harcourt's treachery. She's now serving as Peacemaker's handler, and he's clearly smitten with her, in large part because of her stunning combat skills. Given Harcourt's comic book background, she may well turn out to be a traitor.
Every team needs a "man in the chair," and in Peacemaker that's John Economos - another operative who used to work for Amanda Waller as part of Task Force X's support team. Unlike Harcourt, John Economos has no basis in the comics; he's an original character. He appears to be well-meaning, and if Harcourt does indeed prove to be a traitor he'll presumably be a key part in bringing her down.
Finally, Leota Adebayo is a brand new recruit to this particular ARGUS program. Described as "smart, driven, full-figured and capable, but with her fair share of insecurities," she's a relatively inexperienced field operative who nevertheless finds herself drawn into action - even shooting someone straight after Peacemaker has killed her. The relationship between Adebayo and Peacemaker is expected to be a fun one, with the murderous vigilante taking her under his wing.
The final member of this mismatched team is one Amanda Waller never expected to recruit; Vigilante, who seems to turn up simply to check up on his pal Peacemaker and decides he wants to help out. The team's introduction to Vigilante is played for laughs, with Vigilante encouraging Harcourt, Economos and Adebayo to underestimate him. It's possible he isn't quite so ridiculous as he seems, though, and instead he winds up a threat.
Peacemaker's first target is a United States senator, Royland Goff (explaining the title of episode 3, "Better Goff Dead"). This certainly raises a number of red flags, suggesting this mission may have gone off the rails right from the start, but Peacemaker is too naive to question the idea of assassinating a U.S. senator. Again, Goff is an entirely original character, meaning there's no way to know whether Amanda Waller has targeted him for specific reasons - say, due to criminal connections or corruption - or whether he's instead been targeted by Harcourt for more nefarious purposes. The episode titles suggest it will take three episodes to bring this particular mission to a climax, so clearly the team aren't particularly efficient.
In a surreal intervention that demonstrates James Gunn's trademark humor, Peacemaker sidetracks the mission debrief by discussing "butt babies." Apparently his brother managed to persuade him particularly ugly children are birthed from a mother's backside, and for years Peacemaker assumed he was a "butt baby" himself. It's a perfect demonstration of Peacemaker's stupidity and naivete, suggesting he really will believe anything he's told. It's no wonder he wound up in Belle Reve, given he'd believe anything he saw on the news and take lethal action as a result.
It seems the HBO Max TV series will actually explore Peacemaker's origin, which is something of a surprise. One shot in the trailer shows Peacemaker visiting his dad, an extremely patriotic individual who seems to disapprove of his son - even complaining at his being a "nancy boy." It's unclear why Peacemaker has gone to visit his father, given their relationship seems rather strained, but later comments in the trailer suggest this is where he gets his car and pet American eagle.
One of the more surprising moments in the Peacemaker trailer seets its titular hero question why people treat him as though he's a maniac. It's immediately followed by a shot of Peacemaker and Vigilante about to gun down someone they shouldn't, making it quite clear why he's treated that way; still, this is a level of observation and self-reflection that Peacemaker hasn't shown before. It suggests Peacemaker won't simply be a mindless vigilante in this HBO Max series, but instead that he'll have a character arc of some kind.
Judomaster is one of the more mysterious figures in Peacemaker, a skilled martial artist who reportedly has some sort of connection to Peacemaker himself. There have been several incarnations of Judomaster in the comics, but they've typically been superheroes - one was even a member of the Justice Society of America - so it's surprising to see one positioned as an antagonist. That said, given Peacemaker's first mission is to kill a U.S. senator, it's possible he draws the attention of real superheroes and more reputed vigilantes.
The Peacemaker trailer doesn't exactly hide the fact its protagonists are deeply disturbed; one amusing shot shows Vigilante wielding a chainsaw, evidently eager to use it to cut somebody apart, and he's holding it as though it's a Phallic symbol. This shot is accompanied by dialogue in which Vigilante presents his philosophy to Peacemaker, accepting the two of them are killers but insisting it's okay because they only kill bad people - well, mostly. There's a level of self-awareness to Vigilante that Peacemaker doesn't possess, one that supports the theory he's actually a rogue.
Peacemaker and Adebayo seem to become friends, and one shot shows her giving Peacemaker some basic psychoanalysis; she suggests he uses being a jerk as a defense mechanism to push people away. The comments support the idea Peacemark develops as a character over the course of the series, suggesting he'll learn how to relate to and interact with others. This theme isn't especially unusual for James Gunn; his Guardians of the Galaxy films were about a bunch of a**holes learning to be a family as well.
James Gunn is well-known for his love of integrating popular music into his films, so it's no surprise to see even Peacemaker gets a dance scene. It's unclear what causes this outpouring of joy from Peacemaker, but the structure of the trailer suggests it's because he's learning to actually build friendships - for probably the first time in his life. Given Peacemaker is rather more adult fare than your typical superhero TV show, Gunn chooses to have this dance scene take place in Peacemaker's room - when he's wearing nothing but his underwear.
Judomaster seems to be a major character in Peacemaker, although his precious role is a mystery right now. The Peacemaker trailer shows a number of action scenes featuring him, including one at night - which may suggest he's reconnoitering around the vigilante team's base. Both Harcourt and one incarnation of Judomaster have ties to an espionage agency called Checkmate in the comics, so it's possible the two are connected through that.
Superhero landings have become a common trope in the genre over the last few decades - and it's become traditional for more humorous superhero films and TV shows to mock the idea, riffing on Deadpool's explicit shout-out to them. In the case of Peacemaker, appropriately enough he simply lacks the skill and sense of coordination to manage a good superhero landing, crashing into a series of balconies before landing painfully on his back - watched by his team, who wince in sympathy. It's a smart way of reminding viewers Peacemaker isn't really a superhero, but falls far short of that ideal.
The Peacemaker trailer shows Judomaster caught up in a car crash - likely one that's been engineered by Peacemaker. It suggests the feud between Judomaster and the Peacemaker team will escalate over the course of the HBO Max TV series - but, as noted, it's still impossible to say who's fighting on the side of the angels. The interesting question is whether or not there'll be any collateral damage.
The Peacemaker trailer doesn't pull any punches, assuring viewers its hero will get beaten up quite a lot - including by a super-strong woman who can literally toss him through a brick wall. Both the mystery woman and Peacemaker are in a state of undress, suggesting this fight follows a sex scene. It's unclear who the superhuman woman is, or what part she plays in the series - but Peacemaker may well come to regret this particular liaison.
A patriot to the core - which is why he obeyed Amanda Waller's instructions in The Suicide Squad - Peacemaker has a pet American eagle named Eagly. One of the more surreal shots in the Peacemaker trailer shows him in his car, taking Eagly for a drive; the American eagle is sticking its head out the window to enjoy the breeze in a moment reminiscent of someone taking their dog out. Again, this demonstrates James Gunn's typical sense of humor.
The Peacemaker trailer follows the Marvel formula, ending with a humorous note. In this case, Peacemaker is given a surprising hug by Eagly. Delighted, he tries to tell his dad to get his phone to take a photo, unaware his father has walked away. It's a great scene, and it suggests Eagly is really owned by Peacemaker's father - this seems to be his dad's garage, and there's a perch on which Eagly is resting. Peacemaker may well take Eagly simply because he's become attached to the American eagle.
The annual Halloween event in Fortnite's, Fortnightmares, is well underway in the popular battle royale, and players can continue to earn unique rewards until Nov. 2. Fortnitemares is full of Halloween-themed maps, games, and other experiences that were created by the community during the Fortnitemares Callout event. Players can access the community-created experiences featured in the Fortnitemares section of the menus.
Throughout the rest of October, Fornitemares cards will reveal iconic monsters that will be featured in the Item Shop. Additionally, classic Fortnite characters will continue to receive new Halloween twists throughout October. Fortnitemares 2021 has various new and returning Halloween Outfits in the Item Shop, as well as costumes and items that players are able to earn during the event.
Multiple new cards are going to be flipped over through each week during the Fortnitmares 2021 event, so it's important for players to check the Fortnite Item Shop daily. Epic Games has kept these cards well hidden until they're released, but each release has always happened at 8:00 pm EST. Week one of Fortnitemares brought Frankenstein's Monster, Curdle Scream Leader, Skeletara, and The Walking Dead's Rick Grimes to Fortnite.
Week two has six cards that will be flipped over, so players should expect at least one card every night until week three begins. Two of Fortnite's Fortnitemares have already been flipped over for week two, namely the Poisonous Big Mouth and the Gilded Skull Trooper and Gilded Skull Ranger. The Poisonous Big Mouth is an alt style of Big Mouth. Week two will last until Oct. 18. Various Halloween-themed pickaxes, weapons skins, backpacks, and gliders will be available throughout Fortnitemares as well.
Week three and four rewards for Fortnitemares are currently a mystery, but week three will begin on Oct. 19, and week four starts on Oct. 26. Players can keep returning to the Fortnite Fortnitemares blog post daily to see what new cards are going to be unlocked next. Every week has a random order of how the cards will be unlocked, but the card previews show a glimpse into what the new costumes will be. For example, one of the week two cards features the Fishstick costume head on the back of it with a chunk bitten out of its face, indicating that the card will likely be some variation of the Fishstick or Fortnite's Fishstick princess costume.
Additionally, the Dual Fiend Hunters are a new weapon that deals extra damage to the Cube Monsters, and it has a faster rate of fire than last year's Fiend Hunter Crossbow. Dual Fiend Hunters can be found in chests or on the ground. Lastly, Fortnitemares will wrap up with the third Short Nite film festival. Named "Shortnitemares," the animated short will be based on sinister Halloween themes. The Shore Nite film festival will take place in a creator-made movie theater, and each short will have its own theatre room.
Fortnite is available now on PlayStation 5, PlayStation 4, Xbox Series X, Xbox One, PC, Nintendo Switch, and Android.
One of Spotify's latest recommendation tricks is Enhanced, a feature that scans a user's playlist and automatically adds songs that fit with the current theme and style. The music streaming service already has a few neat tricks that make the discovery of new music easier. For example, the radio feature plays hours of music based on one song (artist or playlist) that a user currently enjoys listening to.
The Discovery Weekly playlist, on the other hand, is a weekly compilation of 30 news songs that users might love based on their listening history over the past seven days. Then there is the Daily Mixes playlist, which blends music from all genres that users listen to and presents a great mix of unexplored new music that will fit with their taste. Finally, there is Release Radar, which analyses the listening pattern and then curates a list of 30 new songs that have come out over the past week. The aforementioned tool somewhat overlaps with the purpose of the What's New feature.
While discovering fresh music hasn’t been much of an issue on Spotify, maintaining and growing multiple playlists simultaneously can be a painstaking task. This is where Enhanced comes to the rescue. Enhanced reads an existing playlist, and with the press of a button, automatically adds new tracks to the playlist that the user might like based on their taste and listening habit. Spotify claims that Enhanced is the way to create a perfect playlist, and it actually works quite well. However, Enhanced is exclusive to Spotify Premium subscribers, which costs $9.99 per month for a single listener, and $15.99 per month for a family with six users. For users without a Spotify Premium subscription, the Spotify Mixes feature might be of some help here.
The best part about Spotify Enhanced is that enabling it doesn’t require a multi-step journey. At the top of each playlist, users will see an Enhanced button. Just tap the Enhanced button and Spotify will add one song for every two songs in the playlist. Each recommended song can be identified with a bright green sparkle icon just below the song title. To make sure that things don’t get too chaotic, Spotify will only add a maximum of 30 songs to each playlist. Another great thing about Spotify’s new feature is that it doesn’t replace any existing songs in the playlist and all recommended tracks can be removed at once by simply tapping on the Enhanced button at the top.
However, if users like a song recommendation, adding it to the playlist is just as easy. Simply tap the rounded plus icon in front of a recommended song’s name and it will become a permanent member of that playlist. Enhanced happens to be a non-invasive way of sprucing up one’s music library, one playlist at a time, without the risks of messing it up. In case users appreciate a song but don't want to add the song to their playlist, they can like that track and it will appear in the 'a collection for you' section for liked songs. For now, Enhanced is available on the Spotify app on Android and iOS, although users in certain regions may have to wait for it to roll out in their location.
It’s looking less and less likely that Ridley Scott will helm another Alien prequel, but fortunately, Alien: Covenant could still receive a follow-up in the form of a limited series. Despite starting strong, the Alien franchise has struggled to find its feet with critics over the last few decades. The original Alien, a brutal and brilliant “haunted house in space” sci-fi horror, and its more action-forward sequel Aliens are beloved by viewers and critics alike, often still held up as classics of the sub-genre.
However, the horror-focused Alien 3 was too dark for many, and its follow-up Alien: Resurrection was too uneven, leaving critics frustrated with the once-promising franchise. Since then, original Alien director Ridley Scott returned for 2012’s Prometheus, a prequel that explored the origins of the franchise in detail. However, this effort warranted a cold response by many thanks to its slow pace and excessive focus on familiar world-building.
Scott’s second prequel, Alien: Covenant, wisely dropped the mythology and pseudo-philosophy in favor of a more brutal atmosphere and faster pace, and the 2017 release was well-liked as a result. That said, five years elapsed between the two outings and, although Alien: Covenant was the better Alien prequel, fans were hardly clamoring for a return to its world. The reception of the prequel series was mixed at best, meaning the odds of a third Alien prequel movie happening are slim. However, Scott mounting an event miniseries to wrap up the story of Michael Fassbender's David and how it ties into the original Alien would garner interest and would be a less risky investment to boot. Scott’s recent critical success with Raised By Wolves also shows the television miniseries format is probably better for the type of story he wants to explore, and with a longer runtime and more immersive atmosphere, the infamous Xenomorph could appear without being the sole focus of the plot.
Alien: Covenant managed to outdo the dark ending of Prometheus with the bleakest coda of the series so far — an impressive achievement, considering how brutal Alien 3’s finale is. As Katherine Waterston’s heroine Daniels is placed into hyper-sleep by her robot helper, she realizes that the Fassbender-faced android is not friendly Walter at all, but instead the lethally ambitious David. The switch occurred via an entirely unlikely plot hole, but that’s not the worst of the ending’s action. As outlined earlier in the outing, David’s Alien: Covenant master plan is to use his genetically engineered Neomorphs to wipe out entire planets solely to satisfy his God complex, using the heroine and everyone else aboard her ship as unknowing incubators for his grisly Xenomorph cross-breed creations. As Daniels is incapacitated, she is unable to stop this plot and, judging by the movie’s blackly comic closing moments, David’s plan goes off without a hitch — thus dooming an untold number of planets and their populations.
Although Alien: Covenant was no flop and fared fine with critics, the sequel’s reception with a textbook example of an unnecessary franchise installment receiving middling responses from viewers and reviewers. The movie’s tepid box office and the general lack of excitement for another movie are but two reasons that it is too late for an Alien: Covenant sequel, while Fargo showrunner Noah Hawley’s recently announced Alien television series is a more exciting prospect that further diminished the likelihood of another theatrically released prequel for the franchise. However, this television series may also be evidence that Alien: Covenant can still receive a follow-up, albeit one limited to the small screen.
The fact that Neill Blomkamp’s canceled Alien 5 never saw the light of day proves that even a direct sequel to the series is unable to muster sufficient excitement despite promising to retcon the much-maligned Alien 3 and bring back Ripley. Thus, there is no chance that the comparatively middle-of-the-road Alien prequels will earn a sequel when their plot is less immediately compelling than Blomkamp’s proposed Alien 5 and requires viewers to invest in characters who have been absent from the big screen for over four years already. However, a smaller-scale television miniseries would be a different proposition.
One major flaw of the Alien prequels is that both movies attempt to fit too much material into a slim runtime, whether it is Prometheus trying to outline the very origins of the universe or the less ambitious but still overstuffed Alien: Covenant failing to make sense of David’s ambitions within the movie’s compressed runtime. As such, a 6-to-8 episode miniseries could cover a lot of ground, from more exploration of the Engineers to catching up with David to how it all connects to the roots of the Alien series at large. Currently, David’s motivations for wiping out the Engineers upon arriving on their home planet is as unclear as to the reason the Engineers wanted to create Xenomorphs and humanity, both of which are teased but never explored in-depth by the prequel movies.
An Alien prequel miniseries would also allow the franchise to do justice to one of its most underrated figures, Noomi Rapace’s Elizabeth Shaw. Last seen unceremoniously vivisected by David sometime between movies, Shaw was a resourceful heroine whose quick thinking and scientific acumen rivaled the original heroine of the series, Sigourney Weaver’s iconic Ripley. However, while fan debate still rages about Ripley’s death, there is no denying that the brutal fate of Prometheus’ Shaw was a waste of a compelling character and a cheap shock tactic that did little to elevate Alien: Covenant. A miniseries that fleshes her character out in more detail while also leaving viewers uncomfortably aware of her eventual, inevitable fate would be a brilliant way to reverse this unfortunate twist, keeping Shaw’s death but adding an element of real pathos to the otherwise pointless surprise. Between exploring Shaw’s character, expanding on David’s plan, and explaining the origins and purpose of the Engineers, there is plenty of ideas for an Alien: Covenant sequel to explore — provided it does so on the small screen.
IDW's Ghostbusters comic revealed that their defeat of Gozer in the first film created the franchise's multiverse of film and TV adaptations. In Ghostbusters 101 #1, the Ghostbusters learn of the dimension protected by the 2016 reboot's female Ghostbusters, whose world is beginning to overlap with their own. As both Ghostbusters teams wonder how this can be, Ray and Egon believe they have an answer.
What began as a simple paranormal investigation and elimination business has expanded beyond what any of the original Ghostbusters could have ever expected. In the IDW Comics, the guys in grey have franchises in other states, liaisons with the FBI, and interns to do their bidding, but everything changes after their crossover with the Teenage Mutant Ninja Turtles. After helping them build an interdimensional gateway to return to their world, the Ghostbusters now have the ability to explore the multiverse. In Ghostbusters 101, the Ghostbusters' interns turn on the device and open a portal to another dimension, attracting ghosts. When the door is closed on an aggressive phantom, part of the other-dimensional ghost is trapped outside its home reality, and both universes begin to overlap, introducing the original Ghostbusters to the Ghostbusters from the 2016 remake.
In the story by writer Eric Burnham and artist Dan Schoening, the female Ghostbusters are confused and alarmed at the sight of a different group of people calling themselves the Ghostbusters. With both paranormal investigators meeting at the Firehouse, the scientists and their colleagues try to make sense of this unusual situation and what it means. The original Ghostbusters explain that not only were they the ones that started it all, but their research into the multiverse has revealed the existence of even more Ghostbusters, even teams that have nothing to do with them. Their theory is that, when they crossed the streams in their battle with Gozer, the total protonic reversal created a connection to every reality at once that spread the subconscious information and methods necessary for Ghostbusters to exist in other dimensions.
Ray and Egon's theory not only recalls one of the Ghostbuster's greatest battles but adds even more importance to it, especially the act that they were so hesitant to do. When they crossed the streams, this action did almost destroy them, but it apparently also caused much more lasting consequences. With Gozer the Gozerian being a unique multiversal being with no duplicates, his portal allows the Ghostbusters to impart their thoughts, personalities, concepts and methods throughout multiple worlds. This explains how certain characters may act like one of the original four but still maintain their own individuality - for instance in the animated The Real Ghostbusters - making the original Ghostbusters the true architects of the franchise while also establishing the individuality of every incarnation fans have seen in film, television, video games and comics.
Although both Ghostbusters teams are able to put aside any differences and work together to save their realities, this was only one chapter in their adventures through the multiverse. When an unlicensed dimensional doorway unleashes ghosts from the Containment Unit throughout multiple worlds, 2017's Crossing Over maxi-series saw multiple Ghostbusters groups work together to find and retrap them before the unthinkable happened. The awesome comic twist set up future stories while also tying every Ghostbusters property back to the original movie in a way that expands, rather than ignores, the series' lore.
