Category: UNCATEGORIZED

16 Sep 2019

Canal+ will bundle Netflix subscriptions in France

Canal+ wants to provide an alternative to the great unbundling of video streaming services. France’s leading pay-TV group announced that it will sell Netflix subscriptions starting on October 15.

Instead of having to subscribe to multiple different services, Canal+ hopes that customers are looking for the ability to pay a monthly subscription for multiple services at once. This strategy is somewhat similar to Amazon Prime Video Channels and Apple TV Channels in the U.S.

People who subscribe to Canal+ for €20 per month (or €10 per month if you’re under 26) will be able to add a package of movies and TV shows for another €15 per month.

This package contains a standard Netflix subscription that lets you stream content in HD on two devices at once, which usually costs €12 per month in France. In addition to Netflix, you can also access OCS, which includes all HBO content and various live TV channels and on-demand content.

Overall, you get a ton of original content from Canal+, Netflix and HBO for €35 per month. But Canal+ already says that the package that includes Netflix won’t cost €15 forever. You can expect a price hike at some point in the coming months.

Canal+ provides its own set-top box and also has distribution deals with all major telecommunications companies in France. But even after launching an over-the-top offering that doesn’t require a set-top box, Canal+ has been steadily losing subscribers over the past few years. Netflix says that it currently has 6 million subscribers in France.

Over the past few years, Canal+ has been operating a shift from live TV to on-demand streaming. In addition to its usual TV channels with a mix of live sports, movies and TV shows, you can now stream movies and TV shows from a popular iOS and Android app called myCanal.

Canal+ customers who have a Canal+ set-top box will also be able to add the new package with Netflix. If you’re an existing Netflix subscribers, you’ll be able to link your Netflix account with your Canal+ account to tell Netflix that you’re already paying through Canal+ and stop Netflix billing. It’s still unclear whether Netflix content will be available in the myCanal app.

16 Sep 2019

$100M Grant for the Web fund aims to jump-start a new way to pay online

Getting paid for providing content online isn’t simple, and as the ad-based economy continues to collapse pretty much everyone is looking for alternatives. One problem: While the web is great at moving images and audio and files around, it has a real problem with money. Coil, Mozilla, and Creative Commons hope to change that with a native web payments standard and $100M to get it off the ground.

“Web monetization” is the name of the game here, not just generally but also the specific new web protocol being proposed. It’s meant to be an open, interoperable standard that will let anyone send money to anyone else on the web.

That doesn’t mean it sprang fully formed out of nowhere, though. It’s based on a protocol called Interledger pursued by former Ripple CTO Stefan Thomas in his new company Coil.

“We were basically applying the concept of internet protocol to payments — routing little packets of money,” Thomas told TechCrunch, though he was quick to add that it’s not blockchain-powered. Those systems, he said, are useful in their place, but end up bogged down in upkeep and administration. And services like Flattr are great, he said, but limited by the fact that they’re essentially run by a single company.

Interledger, he explained, is a protocol for securely and universally connecting existing payment systems in a totally agnostic way. “It supports any underlying payment structure, bitcoin or a bank ledger or whatever, and any connection you use, satellite or wi-fi, it doesn’t care. We were working on on it for a long time, since like 2015, and last year were like, well, how do we get this out into the real world?”

The answer was a new company, for one thing, but also partnering with open web advocates at Mozilla and Creative Commons on Grant for the Web, a $100M fund to disburse with their input. Both have a seat at the table in selecting grant recipients, and the latter is a recipient itself.

“This is an opportunity for CC to experiment with optional micropayments in CC Search,” said Creative Commons interim CEO Cable Green. “If users want to provide micropayments to authors of openly licensed images, to show gratitude, we’re interested in exploring these options with our global community.”

“An open source micropayment protocol and ecosystem could be good for creators and users,” he continued. “Building a web that doesn’t rely on data acquisition and advertising is a good thing.”

The $100M fund is all Coil money, which makes sense as Coil was founded to promote and develop the Interledger and Web Monetization protocols. Huge funding pushes don’t seem like the ordinary way to establish new web standards, but Thomas explained that payments are a unique case.

“The underlying business model for the web is kind of broken,” he said. And that’s partly by design: Enormous companies with vested interests in existing payment and monetization structures are always working to maintain the status quo or shift it in a favorable direction — companies like Google that rely on advertising, or Visa and others that power traditional payment methods.

“From our perspective, what the standard is ultimately competing with is proprietary platforms with billions in funding,” Thomas said.

The $100M fund will be spread out over five years or so, and will be awarded both to companies and people that use or plan to use the Web Monetization standard in an interesting way, and to content creators who are poorly served by existing monetization methods.

Long tail content that’s nevertheless important, like investigative journalism or documentaries from and by marginalized communities, is one of the targets for the fund. Grants could come in the form of direct funding, or matching subscribers’ contributions. There’s no quid pro quo, Thomas said, except for a hard minimum of half the content being released under an open license like Creative Commons — which that organization is likely excited about.

Right now a subscription-based browser extension that allows easy payments to sites that have implemented the standard is the only way to get in the door. Admittedly that’s not a very sexy onboarding experience. But part of the fund is intended to juice the development and adoption of the standard much more widely.

It’s a way — though an expensive one, sure — to show that an alternative model exists to the traditional ad-based or subscription-based methods of supporting content.

You can sign up now to be notified when they start accepting grant applications at grantfortheweb.org.

16 Sep 2019

Will Smith and Ang Lee are coming to Disrupt SF

We’re announcing a big addition to the Disrupt SF Agenda: Will Smith and director Ang Lee will be joining us to discuss their upcoming film “Gemini Man.”

They’ve both had long careers in the movie business — Lee’s titles include “Crouching Tiger, Hidden Dragon,” “Brokeback Mountain” (which won him an Academy Award for Best Director) and “Life of Pi” (ditto). And Smith, of course, has starred in countless box office hits, most recently “Aladdin,” while also delivering critically-acclaimed performances in films like “Ali” and “Concussion.”

But they’re not resting on their laurels. “Gemini Man” features Smith in a dual role — he plays assassin Henry Brogan, as well as Junior, a younger clone who’s been sent to kill his older self — with “jaw-dropping” effects from Weta Digital.

“Gemini Man” and Netflix’s new Martin Scorsese film “The Irishman” take different approaches (“The Irishman” uses effects to make its actors look younger, while “Gemini Man”‘s Junior is full CGI creation), but they both point to a new cinematic world, where stars like Smith, Robert De Niro and Al Pacino can play themselves at any age, without relying on younger counterparts or resorting to heavy and unconvincing layers of makeup.

We’ll talk to Lee and Smith about what it was like working with these effects, and how else they might change the way movies get made. We’ll also ask about the future of the industry, Lee’s other experiments with cutting-edge technology and Smith’s startup investments through Dreamers Fund, which he created with Japanese athlete Keisuke Honda.

Smith and Lee join an absolutely star-studded agenda that includes the likes of Marc Benioff, Evan Spiegel, Marillyn Hewson, Chris Dixon, Shan-Lyn Ma, and Ashton Kutcher in his debut as a Battlefield Finals judge.

Disrupt SF runs October 2 to October 4 at the Moscone Center in the heart of San Francisco. Tickets are available here.

16 Sep 2019

YouTube tests profile cards that show users’ comment history

YouTube commenters will now have their channel loyalty — or their tendency to troll — exposed, thanks to a new feature called profile cards, now in testing. Recently announced by way of YouTube’s Creator Insider channel, where the company shares updates and changes with its creator community, these new profile cards would appear whenever you clicked on a commenter’s name, and would list all their other recent comments on the channel.

Currently, if you click on a commenter’s name, you’re redirected to their channel page on YouTube.

But that doesn’t allow the video creator or other commenters to learn much about the person behind a given comment, in many cases, as not everyone publishes to YouTube. The commenter’s channel could be sparse, out of date, or completely unrelated to the topic at hand.

With the new profile cards, however, you’ll instead be able to see all the recent comments left on the channel over the past 12 months. However, it won’t show their comments left on other channels at this time. In other words, it’s not a full user profile, similar to what you would find on other message board sites like Reddit, where a complete comment history is available for each user.

“It will help you get a sense of what this person is writing,” explains YouTube Director of Product Management, Tom Leung, in the annoucement published in the past week. “We hope that it will strengthen connections with others in the YouTube community and will help creators recognize some of their best commenters,” he added.

youtube profile cards

Though not mentioned, the new feature could also help creators recognize some of their worst commenters, as well — meaning, those who only show up to troll, derail discussions, or otherwise cause problems.

Being able to see a history of someone’s comments would allow a video creator or moderator to make a more informed decision about whether future comments from the same user should be hidden or, conversely, if the user is trustworthy enough to earn a spot on the “approved users” list so their comments get published automatically.

The new profile card will also include a link to the commenter’s YouTube channel, but it doesn’t redirect you there as before. YouTube didn’t say how broadly the experiment is being rolled out for testing’s sake, but it was well-received by the community members reacting to the announcement at the time.

The test is one of several experiments running on YouTube at present. Another will allow video creators to display a personalized message to help attract new subscribers, the video also noted.

16 Sep 2019

Google will unveil the Pixel 4 and other new hardware on October 15

Google will reveal the next Pixel in greater detail at an event happening October 15 in New York, the company confirmed via invites sent to media today. We already know the Pixel 4 will be revealed at this event, because Google has already dropped some official images and feature details for the new Android smartphone, but we’ll probably see more besides given that the invite promises “a few new things Made by Google.”

Here’s what we know so far about the Pixel 4: Everything. Well okay, not everything, but most things. Like it’ll use Google’s cool Soli radar-based gesture recognition technology, for both its updated face unlock and some motion controls. Infinite leaks have show that it’ll have a body design that includes a single color/texuture back, what looks like a three-camera rear cluster (wide angle, standard and zoom lens lily), a 6.23-inch OLED display can the XL with image resolution of 3040×1440, with a 90Hz mode that will make animations and scrolling smoother.

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The animation Google sent out with the invites for its 2019 hardware event.

It also has rather large top and bottom bezels, a rarity for smartphones these days, but something that Google apparently felt was better than going with a notch again. Plus, it has that Soli tech and dot projectors for doing the new face unlock which might require more space up top.

In terms of other hardware, there’s less in terms of solid info to go on, but there are rumours of a new ChromeOS-based Pixelbook plus new Google Home smart speakers, and we could also see more of Stadia, Google’s cloud gaming service which launches in November. Google could also show off additional surprises, including maybe Chromecast updates, or an update to Google Wifi to take advantage of the newly certified Wifi 6 standard.

Basically, there could be a lot of surprises on hand even if the Pixel 4 is more or less a known quantity, and we’ll be there to bring you all the news October 15 as it happens.

16 Sep 2019

Daily Crunch: Salesforce launches vertical clouds

The Daily Crunch is TechCrunch’s roundup of our biggest and most important stories. If you’d like to get this delivered to your inbox every day at around 9am Pacific, you can subscribe here.

1. Salesforce doubles down on verticals, launches Manufacturing and Consumer Goods Clouds

Salesforce unveiled two new business units today as part of its strategy to build specialized solutions for specific industries.

For example, with its Manufacturing Cloud, Salesforce says it has built a way for sales agreements to link up with a company’s ERP and forecasting software, allowing for improved demand prediction.

2. Samsung’s Galaxy Tab S6 combines creative flexibility with great design

Darrell Etherington says the new Galaxy Tab S6 (with pricing starting at $649.99) expands the definition of what a tablet can be.

3. Facebook rolls out new video tools, plus Instagram and IGTV scheduling feature

The highlights include better ways to prep for and simulcast live broadcasts, ways to take better advantage of Watch Party events, new metrics to track video performance and a much-anticipated option to schedule Instagram/IGTV content for up to six months in advance.

4. Hear how to build a billion-dollar SaaS company at TechCrunch Disrupt

This year we’ll welcome three people to the Extra Crunch stage who know first-hand what it takes to join the billion-dollar club: Battery Ventures partner Neeraj Agrawal, HelloSign COO Whitney Bouck and Harness CEO Jyoti Bansal.

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5. Beekeeper raises $45M Series B to become the ‘Slack for non-desk employees’

Beekeeper has built a mobile-first communications platform for employers who need to communicate with blue-collar and service-oriented workers.

6. How to get people to open your emails

We tackle the obvious stuff that can help with low open rates, as well as bigger challenges: Let’s say 60% of your audience opens your email — how can you get the remaining 40% to open and read it too? (Extra Crunch membership required.)

7. This week’s TechCrunch podcasts

The Equity team has some thoughts on the latest WeWork drama, and how it shows that valuations are essentially meaningless. And on Original Content, we review the Netflix documentary series “The Family.”

16 Sep 2019

Ten years after Adobe bought Omniture, the deal comes into clearer focus

Ten years ago this week, Adobe acquired Omniture for $1.8 billion. At the time, Adobe was a software company selling boxed software like Dreamweaver, Flash and Photoshop to creatives. Many people were baffled by the move, not realizing that purchasing a web analytics company was really the first volley in a full company transformation to the cloud and a shift in focus from consumer to enterprise.

It would take many years for the full vision to unfold, so you can forgive people for not recognizing the implications of the acquisition at the time, but CEO Shantanu Narayen seemed to give an inkling of what he had in mind. “This is a game-changer for both Adobe and our customers. We will enable advertisers, media companies and e-tailers to realize the full value of their digital assets,” he said in a statement after the acquisition became public.

While most people thought that perhaps this move involved some sort of link between design and data, it would turn out to be more complex than that. Tony Byrne, founder and principal analyst at Real Story Group, tried to figure out the thinking behind the deal in an EContent column published a couple of months after it was announced.

“Going forward, I think the real action will continue to revolve around integrating management and metrics, less so than integrating design and metrics. And that’s why I also think that Adobe isn’t done acquiring yet,” It was pure speculation on Byrne’s part, but it proved prescient.

There’s something happening here

16 Sep 2019

Join the Q&A with top speakers at Disrupt SF (Oct. 2-4)

The main stage at Disrupt SF doesn’t make time for audience questions, but we know everyone has questions to ask our speakers. So we have a separate Q&A stage where many of our speakers appear a second time to take direct questions from Disrupt attendees, with the help of a moderator, of course. 

Ask Sebastian Thrun about the details of Kittyhawk. Ask Cindy Gallop and Brooke Hammerling for tips on media strategy.  Go direct with VCs from Andreessen Horowitz, Bessemer Ventures, Trinity Ventures, and more. Get the details on securing your startup from IOActive’s Jennifer Sunshine Steffens. See the full schedule below. 

It’s also worth noting that audience questions are also a feature for the Extra Crunch stage sessions, which focus heavily on founder “how-to” panels, like this one on growth hacking and product-market fit featuring experts from Okta, Instagram, Tinder and Uber.  You can check out the full Extra Crunch stage agenda here.

The only way to get in on the learning is to snag a pass to Disrupt SF which runs October 2 to October 4 at the Moscone Center in San Francisco. Passes are available here. (Note: Expo passes do not get access to the Q&A or any other live programming sessions.)

WEDNESDAY, OCTOBER 2

11:30 am – 12:15 pm

How to Make Your Media Strategy with Cindy Gallop (MakeLoveNotPorn), Brooke Hammerling (Brew Media Relations) and others to be announced

2:30 pm – 3:15 pm

Winning Investors with Brian Hirsch (Tribeca Venture Partners), Patricia Nakache (Trinity Ventures) and others to be announced

4:15 pm – 5:00 pm

Getting into Fintech with Henrique Dubugras (Brex), Michele Romanow (Clearbanc) and Angela Strange (Andreessen Horowitz)

THURSDAY, OCTOBER 3

10:30 am – 11:15 am

The Cutting Edge of Healthtech with Dr. Rajaie Batniji (Collective Health), Arvind Gupta (SOSV) and Rachel Haurwitz (Caribou Biosciences

11:30 am – 12:00 pm

Collaborating with Corporates with Chris Bartlett (Verizon Ventures), Quinn Li (Qualcomm) and Leigh Radford (P&G Innovations)

12:00 pm – 12:30 pm

Remaking Mobility with Manik Gupta (Uber), Jesse Levinson (Zoox) and Sebastian Thrun (KittyHawk)

2:45 pm – 3:30 pm

Blasting into Space with Tess Hatch (Bessemer Venture Partners) and others to be announced

3:30 pm – 4:15 pm

Securing Your Startup with Jennifer Sunshine Steffens (IOActive), Dug Song (Duo Security) and Nadav Zafrir (Team8)

FRIDAY, OCTOBER 4

10:30 am – 11:15 am

Investing in Africa with Wale Ayeni (IFC) and Marième Diop (Orange Digital Ventures)

1:30 pm – 2:15 pm

Empowering a Diverse Workforce with Tracy Chou (Block Party), Harry Glaser (Sisense) and others to be announced 

 

16 Sep 2019

Walt Disney Studios partners with Microsoft Azure on cloud innovation lab

Seems like everything is going to the cloud these days, so why should moving-making be left out? Today, Walt Disney Studios announced a five-year partnership with Microsoft around an innovation lab to find ways to shift content production to the Azure cloud.

The project involves the Walt Disney StudioLab, an innovation work space where Disney personnel can experiment with moving different workflows to the cloud. The movie production software company, Avid is also involved.

The hope is that by working together, the three parties can come up with creative, cloud-based workflows that can accelerate the innovation cycle at the prestigious movie maker. Every big company is looking for ways to innovate, regardless of their core business, and Disney is no different.

As movie making involves ever greater amounts of computing resources, the cloud is a perfect model for it, allowing them to scale up and down resources as needed, whether rendering scenes or adding special effects. As Disney’s CTO Jamie Voris sees it, this could make these processes more efficient, which could help lower cost and time to production.

“Through this innovation partnership with Microsoft, we’re able to streamline many of our processes so our talented filmmakers can focus on what they do best,” Voris said in a statement. It’s the same kind of cloud value proposition that many large organizations are seeking. They want to speed time to market, while letting technology handle some of the more mundane tasks.

The partnership builds on an existing one that Microsoft already had with Avid where the two companies have been working together to build cloud-based workflows for the film industry using Avid software solutions on Azure. Disney will add its unique requirements to the mix, and over the five years of the partnership, hopes to streamline some of its workflows in a more modern cloud context.

16 Sep 2019

SmartNews’ latest news discovery feature shows users articles from across the political spectrum

Even before the 2016 election, political polarization was increasing, with Americans so entrenched in the news sources they rely on that the Pew Research Center said “liberals and conservatives inhabit different worlds.” Now SmartNews, the news aggregation app that recently hit unicorn funding status, wants to give users a way to step out of their bubbles with a feature called News From All Sides.

News From All Sides is an option located under the politics tab in SmartNews’ app. A slider at the bottom allows users to see articles about a specific news event sorted into five groups, ranging from most liberal to most conservative. Now available for new users in the United States, the feature will gradually roll out as the company fine-tunes it.

SmartNews News From All Sides feature

News From All Sides was created for readers who want to see other points of view, but might be overwhelmed by an online search, says Jeannie Yang, SmartNews’ senior vice president of product. It also aims to provide more transparency about news algorithms, which have been blamed for exacerbating political polarization.

Before developing the feature, SmartNews team conducted research and focus groups in places including Minneapolis and cities in North Carolina to understand how people across the country consume political news online.

“We found that across the board, the last [presidential] election was not just a wakeup call about what news reporting is, but users also expressed that they are much, much more aware of algorithms running underneath what they see. They might not know how it works, but they know there is something else going on,” Yang says.

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The political leanings of publications that appear in News From All Sides were categorized by Smartnews’ content team, which includes journalists who previously worked at the Wall Street Journal, Bloomberg, Fox News and other major news outlets. An AI-based algorithm decides which headlines appear in each category. As the feature goes through new iterations, Yang says SmartNews will make changes based on reader feedback. For example, future versions might look at the positions taken in specific articles and include more than five categories on the slider.

News From All Sides is an eye-opener along the lines of “Blue Feed, Red Feed,” an interactive feature (now archived) by the Wall Street Journal that demonstrated how much someone’s political leanings can influence what Facebook’s algorithms display on their News Feed.

Of course, there are many people who are content to be ensconced in their own news bubbles and may not be interested in News From All Sides, even with the upcoming presidential election. Features like it won’t fix political polarization, but for people who are curious about different points of view, even ones they strongly disagree with, News From All Sides gives them a simple way to explore more coverage.

“We definitely discussed that,” says Yang. “The feature is not initially targeted to everyone. It targets people who are more political news junkies, who are checking their phones for news multiple times a day and will actively seek out other sources, so they might go on Google News and go down a rabbit hole.”

“As more readers consider how they are going to vote, it will also help them with perspectives,” Yang adds. “It’s not something that will appeal to everyone broadly, but we hope that we will adjust a pain point for this core group and then iterate it to something more universal.”

SmartNews was founded in Japan, but the slider is currently only on its app for the U.S., since political polarization is a major issue there. Yang says the feature is one part of of SmartNews’ goal to improve discovery in all news topics.

“Our mission is to break people out of filter bubbles and personalize discovery with the idea that recommendation algorithms can expand interests, instead of narrowing your interests,” she says. “We’re thinking of how to create more transparency and also expose readers to something they might not usually see, but present it in a fun way, like a serendipitous discovery.”